在《葛斯空布德里的傳記》中，主角布德里與擁有自己過去名字的角色－登山嚮導尼奈姆與潘南技師相遇。這兩個角色的出現猶如承襲其原型作品《潘南南南南．尼奈姆的傳記》。本論文首先對於《葛斯空布德里的傳記》中的跨文本性技巧進行整合性的研究。探討結果明確顯示本作品以登山嚮導尼奈姆、潘南技師與布德里三者間的關係、作為故事的主軸。登山嚮導尼奈姆持續生活在出生地偏遠地區，潘南技師離開出身的偏遠地區成功發跡，而布德里彷彿是尼奈姆與潘南結合而成的化身，與出身地方保持聯繫卻漸行漸遠。根據此顯明的結果，與《葛斯空布德里的傳記》的改稿作品《葛斯柯布德里的傳記》進行比較，確認兩文技巧與主題的差異，同時也對研究史上備受爭議的主角自我犧牲而死的問題，做進一步的研究

The hiking guide, Nenem, and the engineer, Pennen, appeared in the The Biography of Gusukonbudori as if they were copied from the previous work, The Biography of Pennennennennen Nenem, in which the hero, Budori, met those characters who have the names he used to have. The thesis firstly made an integrated study of such transtextual technique like this regarding to the The Biography of Gusukonbudori. It clearly showed the relation among the three characters, mountain guide Nenem, engineer Pennen and Budori, is the core of the story. Nenem is a rooted-in-origin mountain guide, Pennen is an uprooted engineer, and Budori, who is keeping in touch but growing further apart from his root, is seen as the combination of Nenem and Pennen. In addition, based on the clear result, the thesis did a comparison between the The Biography of Gusukobudori, as well as the revised work of the The Biography of Gusukonbudori, to confirm the difference between technique and theme consciousness of both texts and did a further discussion of the self-sacrifice death of the main character, which is a controversial issue in the history of research