| 期刊論文| 1. | Deltcheva, Roumiana、Vlasov, Eduard(1997)。Back to the House II: On theChronotopic and Ideological Reinterpretation of Lem's Solaris in Tarkovsky's Film。The Russian Review，56(4)。   | | 2. | Menard, David George(2003)。A Deleuzian Analysis of Tarkovsky's Theory of Time-Pressure。Off Screen，7(8)。 | | 3. | Tumanov, Vladimir(2016)。Philosophy of Mind and Body in Andrei Tarkovsky's Solaris。Edinburgh University Press Journals，20(2/3)。 | 圖書| 1. | Colebrook, Claire(2010)。Deleuze and the Meaning of Life。Continuum。 | | 2. | Deleuze, Gilles、Patton, Paul(1997)。Difference and Repetition。London：Athlone。 | | 3. | Kaufman, Eleanor(2012)。Deleuze, the Dark Precursor: Dialectic, Structure, Being。Baltimore：Johns Hopkins University Press。 | | 4. | Toscano, Alberto(2006)。Theatre of Production: Philosophy and Individuation Between Kant and Deleuze。Palgrave Macmillan。 | | 5. | Williams, James(2003)。Gilles Deleuze's Difference and Repetition: A Critical Introduction and Guide。Edinburgh：Edinburgh University Press。 | | 6. | Tarkovsky, Andrei(1984)。Sculpting in Time。Verlag Ullstein GmbH。 | | 7. | Redwood, Thomas(2010)。Andrei Tarkovsky's Poetics of Cinema。Cambridge School Publishing。 | | 8. | Robinson, Jeremy Mark(2008)。The Sacred Cinema of Andrei Tarkovsky。London。 | | 9. | Deleuze, Gilles、Guattari, Félix、Massumi, Brian(1987)。A Thousand Plateaus: Capitalism and Schizophrenia。University of Minnesota Press。 | |