「陰陽」一詞源自古代中國先賢觀察自然萬物生態，解釋各種統一、對立和互化輪轉現象，所歸納獨創的專有用詞，也是我中華民族亙古以來最偉大的文化資產--《易經》中極重要意涵之一。舉如大自然現象之天地、日月、晝夜、冷熱、雄雌、上下等，就中國人而言，均可以輕易的以「陰陽」概念來詮釋解說。自古至今，人類日常生活之中，依然歷久不變，隨處可見自然萬物依循在陰陽輪轉的基礎下，建構起日復一日，年復一年，共生共享，生生不息的美麗繽紛世界。一個異想天開的偶然意念，激起了筆者期待用一種系列攝影的形態表現方式，取材日常生活中之人、事、物的關聯，探析易經無痕無界的哲理美學思想之一隅，微觀「陰陽共生」之美學意涵，分別以「生息之間」、「萬物之間」及「人事之間」等三個面向，從尋覓、發現與抓捕陰陽輪轉、共生相依的瞬間，以攝影設計具象呈現美的事物，發現美的存在，思考美的實現，構現美的價值於一二，期能窺探宇宙萬物共生共享之美學認知與存在意涵之點滴。

Yin-yang as a term sums up how ancient Chinese sages observed the natural ecology, explained each kind of unification, the opposition and mutualrotation of the phenomenon; moreover, it is the gist of one of the greatest books of China-Yi Jing. All the natural phenomena like heaven and earth, Sun and Moon, day and night, coldness and heat, male and female, up and down, can be easily explained by using the term yin-yang. Since ancient times, during human daily life we have admired all kinds of natural beauty from the perspective of yin and yang. On a whimsical idea, the author tries to express yin-yang aesthetics by photographing people and things, which are microcosms of yin-yang symbiosis. The photos are categorized into three titles: Between Living, Between All Things, and Between the Characters.