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題名:《紀錄片編輯室》的口述歷史生產與上海的世界主義重構
書刊名:傳播與社會學刊
作者:徐亞萍
作者(外文):Xu, Yaping
出版日期:2017
卷期:42
頁次:頁225-254
主題關鍵詞:上海電視紀錄片紀錄片編輯室世界主義口述歷史ShanghaiTelevision documentaryDocumentary Editing RoomCosmopolitanismOral history
原始連結:連回原系統網址new window
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  • 點閱點閱:1
期刊論文
1.Hansen, Miriam B.(2000)。Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film as Vernacular Modernism。Film Quarterly,54(1),10-22。  new window
2.Huang, Y.(1994)。Peaceful evolution: the case of television reform in post-Mao China。Media, Culture & Society,16(2),217-241。  new window
3.丁寧(2010)。克服電視的壞毛病。藝術世界,2010(12)。  延伸查詢new window
4.劉景琦(1994)。回歸的思考。現代傳播,1994(3),60-62。  延伸查詢new window
5.鍾瑛(2006)。由《紀錄片編輯室》析紀錄片欄目如何組織片源。東南傳播,2006(4),60-62。  延伸查詢new window
6.謝勤亮(2007)。從「紀實」到「真實」--上海文廣新聞傳媒集團紀實頻道總監應啟明訪談。北京電影學院學報,2007(6),50-55。  延伸查詢new window
7.盧嘉、史安斌(2013)。國際化·全球化·跨國化:國際傳播理論演進的三個階段。新聞記者,2013(9),36-42。  延伸查詢new window
8.烏爾里希.貝克、章國鋒(2008)。甚麼是世界主義?。馬克思主義與現實,2008(2),54-57。  延伸查詢new window
9.Huang, Y.、Yu, X.(1997)。Broadcasting and politics: Chinese television in the Mao era, 1958-1976。Historical Journal of Film, Radio, and Television,17(4),563-574。  new window
圖書
1.Hicks, George L.(1995)。The Comfort Women: Japan's Brutal Regime of Enforced Prostitution in the Second World War。New York:W. W. Norton & Co.。  new window
2.Yoshiaki, Yoshimi、O'Brien, Suzanne(2000)。Comfort Women: Sexual Slavery in the Japanese Military During World War II。New York:Columbia University Press。  new window
3.Lind, Jennifer M.(2008)。Sorry States: Apologies in International Politics。Ithaca, New York:Cornell University Press。  new window
4.Soh, C. S.(2008)。The comfort women: Sexual violence and postcolonial memory in Korea and Japan。Chicago, IL:University of Chicago Press。  new window
5.呂新雨(2003)。紀錄中國:當代中國新紀錄運動。生活‧讀書‧新知三聯書店。  延伸查詢new window
6.王慰慈(2000)。記錄與探索--與大陸紀錄片工作者的世紀對話。遠流出版事業股份有限公司。  延伸查詢new window
7.Ong, Walter J.(1981)。The Presence of the Word: Some Prolegomena for Cultural and Religious History。Minneapolis, MN:Minnesota University Press。  new window
8.方方(2003)。中國紀錄片發展史。北京:中國戲曲出版社。  延伸查詢new window
9.上海電視台《紀錄片編輯室》欄目組(2001)。目擊紀錄片編輯室:告訴你真實的故事。上海:東方出版中心。  延伸查詢new window
10.單萬里(2005)。中國紀錄電影史。北京:中國電影出版社。  延伸查詢new window
11.Sarkar, B.、Walker, J.(2010)。Documentary testimonies: Global archives of suffering。New York:Routledge。  new window
圖書論文
1.Yang, Mayfair Mei-hui(1997)。Mass Media and Transnational Subjectivity in Shanghai: Notes on (Re)Cosmopolitanism in a Chinese Metropolis。Ungrounded Empires: The Cultural Politics of Modern Chinese Transnationalism。New York:Routledge。  new window
2.呂新雨(2001)。當代中國的電視紀錄片運動。紀錄電影文獻。北京:中國廣播電視出版社。  延伸查詢new window
3.張同道(2001)。多元共生的紀錄時空。紀錄電影文獻。北京:中國廣播電視出版社。  延伸查詢new window
4.唐思麗(1993)。上海電視台節目概況。上海文化年鑒。上海:上海人民出版社。  延伸查詢new window
5.潘立忠(1989)。上海電視台建台30週年紀念。上海文化年鑒。上海:上海人民出版社。  延伸查詢new window
6.Delanty, G.(2012)。Introduction: The emerging field of cosmopolitanism studies。Routledge handbook of cosmopolitanism studies。New York:Routledge。  new window
7.Chung, H. J.(2010)。Reclamation of voice: The joint authorship of testimony in the Murmuring trilogy。Documentary testimonies: Global archives of suffering。New York:Routledge。  new window
8.Balaev, Michelle(2014)。Literary trauma theory reconsidered。Contemporary approaches in literary trauma theory。Palgrave Macmillan。  new window
9.Berry, Chris、Rofel, Lisa(2010)。[The new Chinese documentary film movement: For the public record] Introduction。The new Chinese documentary film movement: For the public record。Hong Kong:Hong Kong University Press。  new window
10.Berry, C.(2009)。Shanghai television's documentary channel。TV China。Bloomington, Indiana:Indiana University Press。  new window
11.Delanty, G.(2012)。The idea of critical cosmopolitanism。Routledge handbook of cosmopolitanism studies。New York:Routledge。  new window
12.Robertson, A.(2012)。Media cultures and cosmopolitan connections。Routledge handbook of cosmopolitanism studies。New York:Routledge。  new window
13.Lü, X. Y.、Jia, Tan、Rofel, Lisa(2010)。Rethinking China's new documentary movement: Engagement with the social。The new Chinese documentary film movement: For the public record。Hong Kong:Hong Kong University Press。  new window
 
 
 
 
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