本文題目為「論東漢墓室、祠堂畫像石死後世界內容－以山東、蘇北、皖北為中心」，本文以「山東、蘇北、皖北」為地區空間範界，以「東漢」為歷史時間範界，以漢代喪葬禮俗功能性建築「墓室（石槨）與祠堂」載體上的「畫像石」為研究對象。主要從東漢人們事死如事生的信念出發，考察在東漢喪葬禮儀文化中，畫像石如何呈現東漢人們關於天堂、仙境、墓室、冥界等死後世界觀念。確切而言，本文主要的研究問題有兩個：一是山東、蘇北、皖北東漢墓室、祠堂畫像石為何多表現天界、仙界、墓室的圖像，卻很少表現冥界的圖像？二是山東、蘇北、皖北東漢墓室、祠堂畫像石表現的天堂、仙境及升仙圖像

The title of this article is ＂On the Portrait stone of Tomb and Ancestral Temples In The world after death of the Eastern Han Dynasty: Shandong, Northern Jiangsu and Northern Anhui as the Center＂ In this paper, ＂Shandong, Northern Jiangsu and Northern Jiangsu＂ as the regional spatial boundaries, Historical time range, with the Han Dynasty funeral etiquette function building ＂tomb and the ancestral temple＂ carrier on the ＂portrait stone＂ for the study. Mainly from the Eastern Han Dynasty people died as a matter of life beliefs, examine the Eastern Han Dynasty funeral etiquette culture, how the stone portrait of the Eastern Han Dynasty presents paradise, fairyland, tomb, underworld and other world concepts after death. Exactly, there are two main research questions in this paper: First, why the images of celestial celestial bodies, celestial bodies and burial chambers in the Eastern Han dynasty tombs in Shandong, Northern Jiangsu and Northern Anhui show the images of the underworld? Second, Shandong, northern Jiangsu, Northern Han Eastern Han tomb, the ancestral portraits of stone performance paradise, wonderland and ascended the image