The yangqin (hammered dulcimer) was introduced into China during the late Ming and early Qing dynasties and Chinese settlers brought this instrument with them to Taiwan. The unique cultural characteristics of these immigrants merged and developed over time into a diversity of entertainment options for the masses. The yangqin was absorbed into opera and became an indispensable part of opera accompaniment. The main reason for its progressive development is because the yangqin became the audience favorite within the string section of the Hokkien opera musical accompaniment. The subject of this paper is on traditional yangqin in opera accompaniment over the past 100 years. This paper attempts to organize and elucidate the rise and development of its accompaniment in Hokkien opera by musicians in different periods of time and various locations. It also attempts to shed light on the hierarchical role the traditional yangqin has had in the accompaniment of these performances. Although this paper is simply a historical description of opera music activities, it also leads up to the passing away of traditional yangqin educator Mr. Jian Yong-fu in 2017, a dramatic loss for this musical, artistic and cultural tradition. The author attempts to present an abundance of diverse perspectives on the evolution of the traditional yangqin accompaniment in Hokkien opera during this time period, offering additional insights into the traditional two-bridge dulcimer performing arts. This paper provides an invaluable supplement, filling the absence of historical data on Taiwan's traditional opera and music and gives further impetus for exploring the history of the traditional yangqin performing arts in Taiwan.