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題名:草圖作為集體音樂創作中的媒介:以臺北2017輿圖工作坊(Atlas Lab)為例
書刊名:哲學與文化
作者:楊建章 引用關係莊子瑩廖于萱
作者(外文):Yang, Chien-changChuang, Tzu-yingLiao, Yu-hsuan
出版日期:2020
卷期:47:3=550
頁次:頁57-78
主題關鍵詞:草圖音樂主體性媒介再媒介合作創造性過程互為主體性SketchMusical subjectivityMediationRemediationCollaborationCreative processIntersubjectivity
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:3
  • 點閱點閱:3
期刊論文
1.Triandis, Harry C.、Bontempo, Robert、Villareal, Marcelo J.、Asai, Masaaki、Lucca, Nydia(1988)。Individualism and collectivism: Cross-cultural perspectives on self-ingroup relationships。Journal of Personality & Social Psychology,54(2),323-338。  new window
2.Sawyer, R. Keith(1999)。Improvised conversations: Music, collaboration, and development。Psychology of Music,27(2),192-205。  new window
3.Schütz, Alfred(1951)。Making music together: A study in social relationship。Social Research,18(1),76-97。  new window
4.Becker, H.(2000)。The Etiquette of Improvisation。Mind, Culture, and Activity,7(3),171-176。  new window
5.Evarts, John(1968)。The New Musical Notation: A Graphic Art?。Leonardo,1(4),405-412。  new window
6.Canonne, Clément、Aucouturier, Jean-Julien(2015)。Play Together, Think Alike: Shared Mental Models in Expert Music Improvisers。Psychology of Music,44(3),544-558。  new window
7.Canonne, Clément、Garnier, Nicolas B.(2013)。Focal Points in Collective Free Improvisation。Perspectives of New Music,51(1),40-55。  new window
8.Sawyer, R. Keith(2006)。Group Creativity: Musical Performance and Collaboration。Psychology of Music,34(2),148-165。  new window
會議論文
1.Canonne, Clément、Garnier, Nicolas B.(2012)。Cognition and Segmentation In Collective Free Improvisation: An Exploratory Study。International Conference on Music Perception and Cognition。Thessaloniki。  new window
圖書
1.朱靜美(20110000)。集體即興創作:約瑟夫.柴金與開放劇場。臺北:國立臺灣大學出版中心。new window  延伸查詢new window
2.Jullien, François、卓立、林志明(2013)。間距與之間:論中國與歐洲思想之間的哲學策略。臺北市:五南圖書出版股份有限公司。  延伸查詢new window
3.Clarke, Eric F.、Doffman, Mark(2017)。Distributed Creativity: Collaboration and Improvisation in Contemporary Music。New York:Oxford University Press。  new window
4.Kinderman, William(2012)。The creative process in music from Mozart to Kurtág。Urbana:University of Illinois Press。  new window
5.Sawyer, R. Keith(2003)。Group Creativity: Music, Theater, Collaboration。Brighton:Psychology Press。  new window
其他
1.Sketch,https://doi.org/10.1093/gmo/9781561592630.article.42828。  new window
2.Interpretation,https://doi.org/10.1093/gmo/9781561592630.article.13863。  new window
3.Authenticity,https://doi.org/10.1093/gmo/9781561592630.article.46587。  new window
圖書論文
1.Davidson, Robert(2014)。Collaborating Across Musical Style Boundaries。Collaborative Creative Thought and Practice in Music。Farnham:Ashgate Publishing Limited。  new window
2.McLuhan, Marshall(2006)。The Medium is the Message。Medium and Cultural Studies: Keyworks。Massachusetts:Blackwell Publishing Ltd.。  new window
 
 
 
 
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