| 期刊論文1. | McIsaac, H. K.、Eich, E.(2004)。Vantage point in traumatic memory。Psychological Science,15(4),248-253。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Apter, E.(2010)。'Women's time' in theory。Differences: A Journal of Feminist Culture Studies,21(1),1-18。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | Ben-Horin, M.(2006)。'Memory metonymies': Music and photography in Ingeborg Bachmann and Monika Maron。German Life and Letters,59(2),233-248。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 4. | DeShazer, M. K.(2002)。'Walls made out of paper': Witnessing wit and how I learned to drive。Women and Performance,13(1),107-120。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 5. | Griffiths, J.(2013)。Sympathy for the devil: Resiliency and victim-perpetrator dynamics in Paula Vogel's How I Learned to Drive。Contemporary Women's Writing,7(1),92-110。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 6. | Herren, G.(2010)。Narrating, witnessing, and healing trauma in Paula Vogel's How I Learned to Drive。Modern Drama,53(1),103-114。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 7. | Hornby, R.(1997)。Feminist theater。The Hudson Review,50(3),470-476。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 8. | Kanfer, S.(2002)。How I learned to drive。The New Leader,80,21-22。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 9. | Kimbrough, A.(2002)。The pedophile in me: The ethics of How I Learned to Drive。Journal of Dramatic Theory and Criticism,16(2),47-67。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 10. | Koike, M.(2000)。Challenges and hopes for American theater in the twenty-first century。The Japanese Journal of American Studies,11,91-108。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 11. | Mansbridge, J.(2012)。Memeory's dramas, modernity's ghosts: Thornton wilder, Japanese theater, and Paula Vogel's The Long Christmas Ride Home。Comparative Drama,46(2),209-235。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 12. | Mzali, I.(2010)。Wars of representations: Metonymy and Nuruddin Farah's links。College Literature,37(3),84-105。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 13. | Savran, D.(1999)。Driving Ms. Vogel。American Theater,15(8),16-19。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 14. | Shin, J.(2015)。The aesthetics of flight in How I Learned to Drive: A counterpoint between fragmentation and integration。Studies in British and American Language and Literature,118,219-238。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 15. | Stephenson, J.(2006)。Metatheatre and authentification through metonymic compression in John Mighton's 'Possible Worlds'。Theatre Journal,58(1),73-93。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 學位論文1. | Pasarow, E. D.(2018)。Theater as a site for 'Following Back the Thread of Memory' in Paula Vogel's How I Learned to Drive(學士論文)。Wesleyan University,Middletown, Connecticut。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 圖書1. | de Beauvoir, Simone、Parshley, H. M.(1989)。The Second Sex。New York:Vintage Books。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Deleuze, Gilles、Tomlinson, Hugh、Galeta, Robert(1989)。Cinema 2: The Time-Image。Minneapolis, Minnesota:University of Minnesota Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | Abbotson, S.(2010)。Looking at Paula Vogel's breasts。Independence, Kansas:The William Inge Theatre Festival Presentation。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 其他1. | Annicone, T.(2018)。How I learned how to drive,https://www.theatermirror.net/?p=2395。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Bommer, L.(2019)。Theater review: How I Learned to Drive. Theater in Chicago,https://www.stageandcinema.com/2019/02/12/how-i-learned-to-drive-raven/。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | Brantley, B.(20120214)。Going along for the ride with uncle,https://www.nytimes.com/2012/02/14/theater/reviews/how-i-learned-to-drive-with-norbert-leo-butz.html。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 4. | Collins-Hughes, L.(20200225)。How they learned to drive. And why they're driving again,https://www.nytimes.com/2020/02/25/theater/how-i-learned-to-drive-broadway-vogel.html。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 5. | Henderson, K.(1997)。Paula Vogel gives some valuable driving lessons,https://www.playbill.com/article/paula-vogel-gives-some-valuable-driving-lessons-com-100951。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 6. | McDonald, S.(20180916)。Emotions boil over in Providence's Wilbury Theater's production on pedophilia,https://www.providencejournal.com/news/20180916/emotions-boil-over-in-providences-wilbury-theatres-production-on-pedophilia。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 7. | (2018)。OSU Theatre presents "How I Learned to Drive",https://news.okstate.edu/articles/arts-sciences/2018/osu-theatre-presents-how-i-learned-to-drive.html。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 8. | Pressley, N.(20181016)。Paula Vogel's 'How I Learned to Drive' steers into the #MeToo era,https://www.washingtonpost.com/lifestyle/style/paula-vogels-how-ilearned-to-drive-steers-into-the-metoo-era/2018/10/16/197dd760-d139-11e8-b2d2-f397227b43f0_story.html?arc404=true。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 9. | Sommer, E.(2012)。A curtain up review: How I Learned to Drive,http://www.curtainup.com/drive.html。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 10. | Vogel, P.(2009)。Through the Eyes of Lolita: Pulitzer prize-winning playwright Paula Vogel is interviewed by Arthur Holmberg,http://www.amrep.org/past/drive/drive.html。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 圖書論文1. | Berger, John(2003)。From ways of seeing。The feminism and visual culture reader。Routledge。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Haakn, J.(2010)。The seventh veil: Feminism, recovered memory, and the politics of the unconscious。Memory: Histories, theories, debates。New York:Fordham University。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | Monaco, A.(2018)。Neurosis as resilience in Jhumpa Lahiri's diasporic short fictions。A poetics of neurosis: Narratives of normalcy and disorder in cultural and literary texts。Bielefeld:Transcript Verlag。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 4. | Nietzsche, F.(1990)。History in the service and disservice of life。Unmodern observations。New Haven:Yale University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 5. | Pellegrini, A.(2007)。Staging sexual injury: How I Learned to Drive。Critical Theory and Performance。Ann Arbor:The University of Michigan Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 6. | Vogel, P.(2004)。How I learned to drive。Understanding Plays。Boston:Pearson。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | |