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題名:《演算42》:一源多譯的聯覺展演
書刊名:藝術學刊
作者:曾靖越
作者(外文):Tseng, Ching-yueh
出版日期:2021
卷期:13:1
頁次:頁261-282
主題關鍵詞:演算42音像藝術即興表演42Audio-visual performanceImprovisation
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:0
  • 點閱點閱:7
期刊論文
1.曾鈺涓(20070500)。程式、系統與數學邏輯--談60年代之電腦藝術創作。美育,157,10-19。  延伸查詢new window
2.王俊傑、陳怡君(2009)。黑川良一以「聲音視覺」創新感官體驗。PAR表演藝術雜誌,201,64-65。  延伸查詢new window
3.Alawida, M.、Teh, J. S.、Samsudin, A.、Alshoura, W. H.(2019)。An image encryption scheme based on hybridizing digital chaos and finite state machine。Signal Processing,164,249-266。  new window
4.Cooke, Grayson(2010)。Start making sense: Live audio-visual media performance。International Journal of Performance Arts and Digital Media,6(2),193-208。  new window
5.Danielsen, Anne、Helseth, Inger(2016)。Mediated Immediacy: The Relationship between Auditory and Visual Dimensions of Live Performance in Contemporary Technology-Based Popular Music。Rock Music Studies,3(1),24-40。  new window
6.Gladyshev, P.、Patel, A.(2004)。Finite state machine approach to digital event reconstruction。Digital Investigation,1(2),130-149。  new window
7.Gruber, H.、Holzer, M.(2015)。From Finite Automata to Regular Expressions and Back--A Summary on Descriptional Complexity。International Journal of Foundations of Computer Science,26(8),1009-1040。  new window
8.Schloss, W. A.(2003)。Using Contemporary Technology in Live Performance: The Dilemma of the Performer。Journal of New Music Research,32(3),239-242。  new window
9.Scott, J.(2015)。Matter Mattering: 'Intra-activity' in live media performance。Body, Space & Technology,14。  new window
10.Verostko, R.(2010)。Form, Grace and Stark Logic: 30 Years of Algorithmic Drawing。Leonardo,43(3),230-231。  new window
11.Whitelaw, Mitchell(2008)。Synesthesia and Cross-Modality in Contemporary Audiovisuals。The Senses and Society,3(3),259-276。  new window
會議論文
1.陳冠君(2004)。時間的影像--媒體藝術的時間性。「數位朋比」臺灣數位藝術國際研討會。  延伸查詢new window
2.Cooke, G.(2005)。UDU: A live audio-visual performance。12th Generative Art Conference GA2009。Politecnico di Milano University。  new window
學位論文
1.謝宜儒(2015)。擺盪於動靜間的非敘事影音:以黑川良一《流變:五個視野》為例(碩士論文)。國立臺灣大學。  延伸查詢new window
圖書
1.Manovich, Lev(2001)。The Language of New Media。MIT Press。  new window
2.Barad, Karen Michelle(2007)。Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning。Duke University Press。  new window
3.馮建彰(2015)。LIFE IN LIVE流行音樂與活動舞台設計幕後祕辛:從設計到現場的十年路。大藝出版事業部。  延伸查詢new window
4.Wagner, F.(2006)。Modeling software with finite state machines: a practical approach。Auerbach。  new window
其他
1.邱誌勇(20200224)。演算法轉向下的美學運算:當代數位影像的視覺表象與文化本體,https://www.digiarts.org.tw/DigiArts/DataBasePage/4_163003644007000/Chi?fbclid=IwAR2ygtRvDQFiMPOWQ0n5eq92sBhSVxO4FlA-ULllwHJ0lBQVEWKOwGYovyw。  延伸查詢new window
2.王福瑞,王俊傑(2009)。聲音/影像/空間--王福瑞與王俊傑的一個短談,http://www.itpark.com.tw/artist/essays_data/221/566/283。  延伸查詢new window
圖書論文
1.Nake, Frieder(2012)。Construction and Intuition: Creativity in Early Computer Art。Computers and Creativity。Springer。  new window
2.Wang, G.(2017)。A History of Programming and Music。The Cambridge Companion to Electronic Music。Cambridge University Press。  new window
 
 
 
 
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