圖書| 1. | Broude, Norma、Garrard, Mary D.(1992)。The Expanding Discourse: Feminism and Art History。New York：HarperCollins。   |
| 2. | Broude, Norma、Garrard, Mary D.(1982)。Feminism and Art History: Questioning the Litany。New York：Harper & Row。 |
| 3. | Wu, Hung(1995)。Monumentality in Early Chinese Art and Architecture。Stanford University Press。 |
| 4. | Ebrey, Patricia(1993)。The Inner Quarters: Marriage and the Lives of Chinese Women in the Sung Period。University of California Press。 |
| 5. | Clunas, Craig(2013)。Screen of kings: royal art and power in Ming China。London：Reaktion Books。 |
| 6. | Weidner, Marsha、Edelstein, Debra(1989)。Views from the Jade Terrace: Chinese Women Artists 1300-1912。Indianapolis：Indianapolis Museum of Art。 |
| 7. | 巫鴻(2019)。中國繪畫中的『女性空間』。生活．讀書．新知三聯書店。 延伸查詢 |
| 8. | 賴毓芝(2020)。看見與觸碰性別：近現代中國藝術史新視野。石頭。 延伸查詢 |
| 9. | Broude, Norma、Garrard, Mary D.(2005)。Reclaiming Female Agency: Feminist Art History After Postmodernism。University of California Press。 |
| 10. | Brown, Claudia(2014)。Great Qing: Painting in China, 1644-1911。University of Washington Press。 |
| 11. | Teo, Phyllis(2016)。Rewriting Modernism: Three Women Artists in Twentieth-century China: Pan Yuliang, Nie Ou and Yin Xiuzhen。Leiden University Press。 |
| 12. | Yu, Chun-fang(2001)。Kuan-yin: The Chinese Transformation of Avalokitsvara。New York：Columbia University Press。 |