| 期刊論文| 1. | Berry, Chris(2014)。Transnational culture in East Asia and the logic of assemblage。Asian Journal of Social Sciences，41(5)，453-470。   | | 2. | Zhang, Yingjin(2013)。Articulating Sadness, Gendering Space: The Politics and Poetics of Taiyu Films from 1960s Taiwan。Modern Chinese Literature and Culture，25(1)，1-46。 | | 3. | 王君琦(20121200)。Affinity and Difference between Japanese Cinema and Taiyu pian through a Comparative Study of Japanese and Taiyu pian Melodramas。文山評論，6(1)，71-102。 | | 4. | Berry, Chris(1992)。Heterogeneity as identity。Metro，91，48-51。 | | 5. | Berry, Chris(2021)。What is Transnational Chinese Cinema Today? Or, Welcome to the Sinosphere。Transnational Screens，12(3)，1-16。 | | 6. | Berry, Chris、Farquhar, Mary(20010100)。From National Cinemas to Cinema and the National: Rethinking the National in Transnational Chinese Cinemas。現代中文文學學報，4(2)，109-122。 | | 7. | Berry, Chris、Farquhar, Mary(2004)。Speaking Bitterness: History, Media and Nation in Twentieth Century China。Historiography East & West，2(1)，117-143。 | | 8. | Hong, Guo-Juin(2010)。Historiography of absence: Taiwan cinema before New Cinema 1982。Journal of Chinese Cinemas，4(1)，5-14。 | | 9. | Welsch, Wolfgang(1992)。Transkulturalität: Lebensformen nach der Auflösung der Kulturen。Information Philosophie，2，5-20。 | | 10. | Welsch, Wolfgang(2001)。Transculturality: The Changing Form of Cultures Today。Filozofski vestnikvol，22(2)，59-86。 | | 11. | Horng, Mengshin(2010)。Domestic Dislocations: Healthy Realism, Stardom, and the Cinematic Principle of Home in Postwar Taiwan。Journal of Chinese Cinemas，4(1)，27-43。 | | 12. | König, Daniel G.、Rakow, Katja(2016)。The Transcultural Approach within a Disciplinary Framework: An Introduction。Transcultural Studies，7(2)，89-100。 | | 13. | Pratt, Mary Louise(1991)。Arts of the Contact Zone。Profession，1991，33-40。 | 學位論文| 1. | Wang, Wan-jui(2013)。Crossing Borders in Taiwan New Cinema: Historiography, Popularity, Postcoloniality(博士論文)。University of Exeter。 | 圖書| 1. | Hong, Guo-Juin(2011)。Taiwan Cinema: A Contested Nation on Screen。Palgrave Macmillan。 | | 2. | Udden, James(2009)。No Man an Island: The Cinema of Hou Hsiao-hsien。Hong Kong：Hong Kong University Press。 | | 3. | Anagnost, Ann(1997)。National Past-Times: Narrative, Representation, and Power in Modern China。Duke University Press。 | | 4. | Gellner, Ernest(1964)。Thought and change。London：Weidenfield and Nicholson。 | | 5. | Yeh, Emilie Yueh-yu、Davis, Darrell William(2005)。Taiwan Film Directors: A Treasure Island。New York：Columbia University Press。 | | 6. | Bhabha, Homi K.(1994)。The Location of Culture。Routledge。 | | 7. | Von Herder, Johann、Churchill, T.(1784)。Outlines of a Philosophy of the History of Man。J. Johnson。 | | 8. | Nordin, Irene G.(2016)。Transcultural Identity Constructions in a Changing World。Peter Lang。 | | 9. | Anderson, Benedict(1991)。Imagined Communities: Reflections on the Origin and Spread of Nationalism。Verso。 | 圖書論文| 1. | Hobsbawm, Eric J.(1983)。Introduction: Inventing Traditions。The Invention of Tradition。Cambridge University Press。 | | 2. | Lu, Sheldon Hsiao-peng(1997)。Historical Introduction--Chinese Cinemas (1896-1996) and Transnational Film Studies。Transnational Chinese Cinemas: Identity, Nationhood, Gender。Honolulu, HI：University of Hawai'i Press。 | | 3. | Berry, Chris(1994)。A Nation T(w/o)o: Chinese Cinema(s) and Nationhood(s)。Colonialism and Nationalism in Asian Cinema。Indiana UP。 | | 4. | Yeh, Emilie Yueh-yu、Lu, Sheldon Hsiao-peng(2005)。Introduction: Mapping the Field of Chinese-Language Cinema。Chinese-Language Film: Historiography, Poetics, Politics。University of Hawai'i Press。 | |