閱聽人詮釋《哈利波特》故事網絡之跨媒介地景歷程初探：以虛構文本、文學地景及周邊為例_

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題名：	閱聽人詮釋《哈利波特》故事網絡之跨媒介地景歷程初探：以虛構文本、文學地景及周邊為例
書刊名：	傳播文化
作者：	賴玉釵
作者(外文)：	Lai, Yu-chai
出版日期：	2019
卷期：	18
頁次：	頁44-93
主題關鍵詞：	文學地景；故事網絡；跨媒介地景；跨媒介敘事；影像旅行；Literature place；Story network；Transmedia landscape；Transmedia storytelling；Film tourism
原始連結：	連回原系統網址
相關次數：	被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0) 排除自我引用:0 共同引用:2 點閱:2

期刊論文
1.	Herbert, D. T.(2001)。Literary places, tourism and the heritage experience。Annals of Tourism Research，28(2)，312-333。
2.	Squire, S. J.(1994)。The cultural values of literary tourism。Annals of Tourism Research，21(1)，103-120。
3.	Kustritz, A.(2014)。Seriality and transmediality in the fan multiverse: Flexible and multiple marrative structures in fan fiction, art, and vids。TV Series，6，225-261。
4.	Brummitt, C.(2016)。Pottermore: Transmedia storytelling and authorship in Harry Potter。The Midwest Quarterly，58(1)，112-132。
5.	Castillo, S. S.、Galán, E.(2016)。Transmedia narrative and cognitive perception of TVE's drama series El Ministerio del Tiempo。Revista Latina de Comunicación Social，71，508-526。
6.	Granitz, N.、Forman, H.(2015)。Building self-brand connections: Exploring brand stories through a transmedia perspective。Journal of brand management，22(1)，38-59。
7.	Bazalgette, C.、Buckingham, D.(2013)。Literacy, media and multimodality: A critical response。Literacy，47(2)，95-102。
8.	Elwell, J. S.(2014)。The transmediated self: Life between the digital and the analog。Convergence: The International Journal of Research into New Media Technologies，20(2)，233-249。
9.	Bertetti, P.(2014)。Toward a typology of transmedia characters。International Journal of Communication，8，2344-2361。
10.	Harper, D.(2002)。Talking about pictures: a case for photo elicitation。Visual Studies，17(1)，13-26。
11.	賴維菁、呂孟娟(20051000)。檢視臺灣青少年的哈利波特現象。師大學報. 人文與社會科學類，50(2)，47-67。延伸查詢
12.	Cateridge, J.(2015)。Deep Mapping and Screen Tourism: The Oxford of Harry Potter and Inspector Morse。Humanities，4(3)，320-333。
13.	Denison, R.(2016)。Franchising and Film in Japan: Transmedia Production and the Changing Roles of Film in Contemporary Japanese Media Cultures。Cinema Journal，55(2)，67-88。
14.	Fagence, B.(2013)。'The Fallow Narratives' and The Pier: Writing for comics within transmedia storytelling。Studies in Comics，4(1)，171-184。
15.	Gibbons, Alison(2017)。Reading S. across Media: Transmedia Storyworlds, Multimodal Fiction, and Real Readers。Narrative，25(3)，321-341。
16.	Hundley, M.、Wong, J.(2016)。The Power of Transmedia: An Exploration Into Literature PLUS。Journal of Children's Literature，42(1)，57-62。
17.	Lee, C.(2012)。'Have magic, will travel': Tourism and Harry Potter's United (magical) Kingdom。Tourist Studies，12(1)，52-69。
18.	Pons, A. A.、Comesaña, P. C.(2016)。Cartoons, advertising and transmediality。Cuadernos.info，39，165-180。
19.	Reijnders, S.(2010)。Places of the Imagination: an Ethnography of the TV Detective Tour。Cultural Geographies，17(1)，37-52。
20.	Squire, S. J.(1993)。Valuing countryside: Reflections on Beatrix Potter tourism。Area，24，5-10。
21.	Tzanelli, R.、Yar, M.(2016)。Breaking Bad, Making Good: Notes on a Televisual Tourist Industry。Mobilities，11(2)，188-206。
22.	Waysdorf, A.、Reijnders, S.(2018)。Immersion, authenticity and the theme park as social space: Experiencing the Wizarding World of Harry Potter。International Journal of Cultural Studies，21(2)，173-188。
23.	Busby, G.、Klug, J.(2001)。Movie-induced tourism: the challenge of measurement and other issues。Journal of Vacation Marketing，7(4)，316-332。

學位論文
1.	Beddows, E.(2012)。Consuming transmedia: How audiences engage with narrative across multiple story modes(博士論文)。Swinburne University of Technology，Melbourne。
2.	駱彥伶(2014)。哈利波特的電影觀光--台灣觀光客的魔幻凝視(碩士論文)。國立臺灣師範大學。延伸查詢
3.	Ilhan, B. E.(2012)。Transmedia consumption experiences: Consuming and co- creative interrelated stories across media(博士論文)。University of Illinois at Urbana-Champaign。
4.	Wooten, D.(2013)。How Lego constructs a cross-promotional franchise with video games(碩士論文)。The University of Wisconsin-Milwaukee。
5.	Bamrungpong, S. G. P.(2012)。Stories in motion: Inviting immersive possibilities through the Chimera of Transmedia and Chameleon of mediatecture(博士論文)。Fielding Graduate University。
6.	Deeb, H. N.(2014)。Remixing authorship copyright and capital in Hollywood's new media age(博士論文)。University of California。
7.	Williams, J. C.(2013)。Principles of transmedia branding(碩士論文)。University of California。
8.	黃雅惠(2011)。文學觀光意象的探討：英國莎翁故居之個案研究(碩士論文)。國立臺灣師範大學。延伸查詢
9.	Hurtado, D. R.(2011)。The Chronicles of Narnia series: exploring audience involvement in an entertainment-education transmedia commercial enterprisee(博士論文)。Regent University。

圖書
1.	Clarke, M. J.(2013)。Transmedia television: New trends in network serial production。London：Bloomsbury Academic。
2.	黃海(2007)。台灣科幻文學薪火錄1956-2005。臺北：五南圖書出版有限公司。延伸查詢
3.	Bernardo, Nuno(2011)。The Producer's Guide to Transmedia: How to Develop, Fund, Produce and Distribute Compelling Stories across Multiple Platforms。London：beActive Books。
4.	Phillips, Andrea(2012)。A Creator's Guide to Transmedia Storytelling: How to Captivate and Engage Audiences across Multiple Platforms。New York, NY：McGraw-Hill。
5.	Bernardo, N.(2014)。Transmedia 2.0: How to create an entertainment brand using a transmedial approach to storytelling。London：BeActive Books。
6.	Dowd, T.、Fry, M.、Niederman, M.、Steiff, J.(2013)。Storytelling across worlds: Transmedia for creatives and producers。Focal Press。
7.	Parsons, M.(1989)。How we understand art: A cognitive developmental account of aesthetic experience。Cambridge, UK：Cambridge University Press。
8.	Rosenblatt, L. M.(1978)。The reader, the text, the poem。Carbondale：Southern Illinois University Press。
9.	Rosenblatt, L. M.(1995)。Literature as exploration。Modern Language Association。
10.	Langer, J. A.(1995)。Envisioning literature: Literary understanding and literature instruction。New York：Teachers College Press。
11.	Berg, B.、Lune, H.(2011)。Qualitative Research Methods for the Social Sciences。Boston, MA：Pearson。
12.	Elleström, Lars(2010)。Media Borders, Multimodality and Intermediality。Palgrave Macmillan。
13.	Lear, Linda(2007)。Beatrix Potter: A Life in Nature。New York：St. Martin's Griffin。
14.	勇上香織(2015)。るるぶユニバーサル・スタジオ・ジャパン® 公式ガイドブック。東京：ジェイティビィパブリッシング。延伸查詢
15.	Brodie, I.(2014)。The Hobbit motion picture trilogy: Location Guide: Hobbition, the Lonely Mountain and beyond。London：HarperCollins。
16.	Freeman, M.(2017)。Historicising transmedia storytelling: Early twentieth-century transmedia story worlds。Routeldge。
17.	Gray, W.(2009)。Fantasy, myth and the measure of truth: Tales of Pullman, Lewis, Tolkien, MacDonald and Hoffman。New York, NY：Palgrave Macmillan。
18.	Mass, W.、Levine, S.(2002)。Fantasy。San Diego, CA：Greenhaven Press。
19.	Revenson, J.(2015)。Harry Potter: Magical places from the films: Hogwarts, Diagon Alley, and beyond。London：Harper Design。
20.	Walters, J.(2011)。Fantasy film: A critical introduction。New York, NY：Berg。
21.	Harvey, C. B.(2015)。Fantastic transmedia: Narrative, play and memory across science fiction and fantasy storyworlds。Palgrave Macmillan。
22.	Bates, D. C.、LaTempa, S.(2002)。Storybook travels: From Eloise's New York to Harry Potter's London, visits to 30 of the best-loved landmarks in children's literature。New York, NY：Three Rivers Press。
23.	Burke, L.(2015)。The comic book film adaptation: Exploring modern Hollywood's leading genre。Jackson, MN：University Press of Mississippi。
24.	Hanson, B. K.(2011)。Peter Pan on stage and screen, 1904-2010。Jefferson, NC：McFarland。
25.	Levy, M.、Mendlesohn, F.(2016)。Children's fantasy literature: An introduction。London：Cambridge。
26.	Silverman, D.(2016)。Qualitative research。SAGE Publication。
27.	Leavy, P.(2014)。The Oxford handbook of qualitative research。Oxford：Oxford University Press。
28.	McRae, R.(2015)。Performative Listening: Hearing Others in Qualitative Research。Peter Lang。
29.	Brinkmann, S.、Kvale, S.(2014)。InterViews: Learning the Craft of Qualitative Research Interviewing。Sage。
30.	British Library(2017)。Harry Potter: A Journey Through A History of Magic。Bloomsbury Childrens。
31.	Magnusson, E.、Marecek, J.(2015)。Doing interview-based qualitative research: A learner's guide。Cambridge University Press。
32.	ReHak, B.(2018)。More Than Meets the Eye: Special Effects and the Fantastic Transmedia Franchise。New York University Press。
33.	Urry, J.、Larsen, J.(2012)。Tourist gaze 3.0。Routledge。
34.	Jenkins, Henry(2006)。Convergence culture: Where old and new media collide。New York University Press。
35.	Jenkins, Henry、Ford, Sam、Green, Joshua(2013)。Spreadable Media: Creating Value and Meaning in a Networked Culture。New York University Press。

其他
1.	O'Connor, R.(20161122)。Fantastic beasts and where to find them audience is largely made up of older Harry Potter fans: JK Rowling has consistently made her Harry Potter stories darker and more mature，http://www.independent.co.uk/arts-entertainment/films/news/fantastic-beasts-andwhere-to-find-them-cinema-jk-rowling-harry-potter-a7431706.html#gallery。
2.	(2019)。Explore broomstick training，https://www.alnwickcastle.com/explore/whats-here/broomstick-training。
3.	Jenkins, Henry(20091212)。The Revenge of the Origami Unicorn: Seven Principles of Transmedia Storytelling (Well, Two Actually. Five More on Friday)，http://henryjenkins.org/blog/2009/12/the_revenge_of_the_origami_uni.html。
4.	Jenkins, Henry(20091212)。Revenge of the Origami Unicorn: The Remaining Four Principles of Transmedia Storytelling，http://henryjenkins.org/blog/2009/12/revenge_of_the_origami_unicorn.html。
5.	(20160704)。Who wants to eat breakfast at Hogwarts?，https://www.pottermore.com/news/warner-bros-studio-tour-breakfast-at-hogwarts。
6.	Roe, E. G.(20170622)。Wizards, witches and Quidditch: Harry Potter turns 20，https://widerimage.reuters.com/story/wizards-witches-and-quidditch-harry-potter-turns-20。
7.	(2016)。About the studio tour，https://www.wbstudiotour.co.uk/the-tour-experience/about-the-studio-tour#ID-3401628F768D4A8A8AA09D6CFA8BE7C1。
8.	(2016)。Platform 9 3/4: King's Cross London，https://www.harrypotterplatform934.com/pages/about-platform-934。

圖書論文
1.	Scolari, C. A.、Bertetti, P.、Freeman, M.(2014)。Introduction: Towards an archaeology of transmedia storytelling。Transmedia archaeology: Storytelling in the borderlines of science fiction, comics and pulp magazines。Palgrave Macmillan。
2.	Iser, Wolfgang(1980)。The Reading Process: A Phenomenological Approach。Reader-Response Criticism: From Formalism to Post-Structuralism Criticism。Johns Hopkins University Press。
3.	Buerkle, R.(2014)。Playset nostalgia: Lego Star Wars: The video game and the transgeneraltional appeal of the Lego video game franchise。Lego studies: Examining the building blocks of a transmedial phenomenon。London：Routledge。
4.	Delwiche, A.(2016)。Still searching for the Unicorn: Transmedia storytelling and the audience question。The rise of transtexts: Challenges and opportunities。London：Routledge。
5.	Freeman, M.(2014)。Superman: Building a transmedia world for a comic book hero。Transmedia archaeology: Storytelling in the borderlines of science fiction, comics and pulp magazines。New York, NY：Palgrave Macmillan。
6.	Jenkins, H.(2016)。Transmedia logics and locations。The rise of transtexts: Challenges and opportunities。London：Routledge。
7.	Kurtz, B. W. L. D.(2016)。Set in stone: Issues of canonicity of transtexts。The rise of transtexts: Challenges and opportunities。London：Routledge。
8.	Lacasa, P.、Cortés, S.、Martínez, R.(2016)。Building Harry Potter's identity in transmedia contexts。Wizards vs. muggles: Essays on identity and the Harry Potter universe。New York, NY：McFarland。
9.	Laurichesse, H.(2016)。Considering transtexts as brands。The rise of transtexts: Challenges and opportunities。London：Routledge。
10.	Long, P.、Morpeth, N. D.(2016)。[Tourism and the creative industries: Theories, policies and practice] Introduction。Tourism and the creative industries: Theories, policies and practice。London：Routledge, Taylor & Francis Group。
11.	Richards, D.(2016)。Historicizing transtexts and transmedia。The rise of transtexts: Challenges and opportunities。London：Routledge。
12.	Roberts, L.(2016)。On location in Liverpool: Film-related tourism and the consumption of place。Tourism and the creative industries: Theories, policies and practice。London：Routledge, Taylor & Francis Group。
13.	Dovey, J.、Kennedy, H. W.(2006)。Playing the ring: Intermediality and ludic narratives in the Lord of the Rings games。The lord of the rings: Popular culture in global context。London：Wallfolwer Press。
14.	Freeman, M.(2019)。Transmedia attractions: The case of Warner Bros. studio tour--The making of Harry Potter。The Routledge companion to transmedia studies。New York, NY：Routledge。
15.	Graves, M.(2017)。The Marvel one-shots and transmedia storytelling。Make ours Marvel: Media convergence and a comics universe。Texas, TX：University of Texas Press。
16.	賴維菁(20130000)。兔子、魔法、音樂隊︰跟著童話與幻奇去旅行。兒童文學新視界。臺北：書林。延伸查詢
17.	Ferrandiz, R. R.(2019)。A Genettian Approach to Transmedia (Para)Textuality。The Routledge companion to transmedia studies。Routledge。
18.	Asmussen, M. W.(2000)。Two museums devoted to one writer。Expressions of culture identity and meaning in tourism。Business Education Publishers。
19.	Bourdaa, Mélanie(2016)。"I Am not a Tribute": The Transmedia Strategy of The Hunger Games versus Fan Activism。The rise of transtexts: Challenges and opportunities。Routledge。
20.	Eichner, S.、Mikos, L.、Wedel, M.(2012)。"Apocalypse Now in Middle Earth": "Genre" in the Critical Reception of The Lord of the Rings in Germany。The Lord of the Rings: Popular Culture in Global Context。Wallflower Press。
21.	Hassler-Forest, D.(2019)。Transmedia Politics: Star Wars and the Ideological Battlegrounds of Popular Franchises。The Routledge Companion to Transmedia Studies。Routledge。
22.	Hills, M.(2006)。Realising the Cult Blockbuster: The Lord of the Rings Fandom and Residual/Emergent Cult Status in 'the Mainstream'。The Lord of the Rings: Popular culture in global context。Wallfolwer Press。
23.	Hills, M.(2016)。Star Trek into divineness: The transmedia failures of Star Trek: The videogame。The Rise of Transtexts: Challenges and Opportunities。Routledge。
24.	Horne, A.(2019)。Transmedia Publishing: Three Complementary Cases。The Routledge Companion to Transmedia Studies。Routledge。
25.	Johnson, J. C.、Weller, S. C.(2002)。Elicitation techniques for interviewing。Handbook of interview research: Context and method。Sage。
26.	Jones, S.(2006)。Fixing a Heritage: Inscribing Middle Earth onto New Zealand。The Lord of the Rings: Popular culture in global context。Wallfolwer Press。
27.	Kurtz, Benjamin W. L. Derhy、Bourdaa, Mélanie(2016)。The World is Changing… and Transtexts are Rising。The Rise of Transtexts: Challenges and opportunities。Routledge。
28.	Landay, L.(2014)。Myth Blocks: How LEGO Transmedia Conﬁ gures and Remixes Mythic Structures in the Ninjago and Chima Themes。Lego studies: Examining the building blocks of a transmedial phenomenon。Routledge。
29.	Long, G.(2016)。Creating worlds in which to play: Using Transmedia Aesthetics to Grow Stories into Storyworlds。The Rise of Transtexts: Challenges and opportunities。Routledge。
30.	Rohn, U.、Ibrus, I.(2019)。A Management Approach to Transmedia Enterprises。The Routledge companion to transmedia studies。Routledge。
31.	Rutledge, Pamela(2019)。Transmedia Psychology: Creating Compelling and Immersive Experiences。The Routledge companion to transmedia studies。Routledge。
32.	Salmon, M.、Salmon, J.(2016)。The gamer as tourist: The simulated environments and impossible geographies of videogames。Tourism and the creative industries: Theories, policies and practice。Routledge, Taylor & Francis Group。
33.	Stein, L. E.(2016)。Fandom and the transtext。The rise of transtexts: Challenges and opportunities。Routledge。

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