| 期刊論文1. | Weiser, Mark(1993)。Hot topics: Ubiquitous computing。Computer,26(10),71-72。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | 曾鈺涓(20070500)。程式、系統與數學邏輯--談60年代之電腦藝術創作。美育,157,10-19。 延伸查詢![new window](/gs32/images/newin.png) | 3. | Manovich, Lev(2013)。Media After Software。Journal of Visual Culture,12(1),30-37。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 4. | Cooke, Grayson(2010)。Start making sense: Live audio-visual media performance。International Journal of Performance Arts and Digital Media,6(2),193-208。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 5. | Danielsen, Anne、Helseth, Inger(2016)。Mediated Immediacy: The Relationship between Auditory and Visual Dimensions of Live Performance in Contemporary Technology-Based Popular Music。Rock Music Studies,3(1),24-40。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 6. | Whitelaw, Mitchell(2008)。Synesthesia and Cross-Modality in Contemporary Audiovisuals。The Senses and Society,3(3),259-276。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 7. | 曾靖越(20210500)。《演算42》:一源多譯的聯覺展演。藝術學刊,13(1),261-282。 延伸查詢![new window](/gs32/images/newin.png) | 8. | 葉廷皓(20190700)。音像影響--音像藝術的臺灣切片。藝術家,530,134-139。 延伸查詢![new window](/gs32/images/newin.png) | 9. | 邱誌勇(2014)。數位與軟體:再結構化的新媒體。藝外ARTITUDE,7。 延伸查詢![new window](/gs32/images/newin.png) | 10. | Alves, Bill(2005)。Digital Harmony of Sound and Light。Computer Music Journal,29(4),45-54。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 11. | Burnett, Margaret M.、McIntyre, David W.(1995)。Visual Programming。Computer,28(3),14-16。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 12. | Iwai, Toshio(2001)。Piano--as Image Media。Leonardo,34(3)。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 13. | Moritz, W.(1997)。The Dream of Color Music, And Machines That Made it Possible。Animation World Magazine,2(1)。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 14. | Scott, Jo(2015)。Matter Mattering:'Intra-Activity' in Live Media Performance。Body, Space & Technology,14,1-11。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 15. | Whitelaw, Mitchell(2008)。Art against Information: Case Studies in Data Practice。The Fibreculture Journal,11,1-12。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 16. | Whitney, John(1994)。To Paint on Water: The Audiovisual Duet of Complementarity。Computer Music Journal,18(3),45-52。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 會議論文1. | Barrett, Lloyd、Brown, Andrew R.(2009)。Towards a Definition of the Performing Audiovisualist。ACMA '09 : Improvise: The Australasian Computer Music Conference 2009。Australasian Computer Music Association。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Lee, Catarina、Ribas, Luísa(2016)。Exploring Textual Data: Transmutability as a Creative Concept and Practice。xCoAx 2016 Fourth conference on Computation, Communication, Aesthetics and X。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | Nake, Frieder(2010)。Paragraphs on Computer Art, Past and Present。The 1st international conference on Ideas before their time: connecting the past and present in computer art。BCS Learning & Development Ltd。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 4. | Pichlmair, Martin、Kayali, Fares(2007)。Levels of Sound: On the Principles of Interactivity in Music Video Games。The DiGRA Conference。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 學位論文1. | 王新仁(2013)。《移動中的共鳴》--數位音像表演(碩士論文)。國立臺北藝術大學。 延伸查詢![new window](/gs32/images/newin.png) | 2. | 謝宜儒(2015)。擺盪於動靜間的非敘事影音:以黑川良一《流變:五個視野》為例(碩士論文)。國立臺灣大學。 延伸查詢![new window](/gs32/images/newin.png) | 圖書1. | Manovich, Lev(2001)。The Language of New Media。MIT Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Cormen, Thomas H.、Leiserson, Charles E.、Rivest, Ronald L.、Stein, Clifford(2009)。Introduction to algorithms。MIT Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | 葉謹睿(2005)。數位藝術概論:電腦時代之美學、創作及藝術環境。藝術家出版社。 延伸查詢![new window](/gs32/images/newin.png) | 4. | Sturken, Marita、Cartwright, Lisa、陳品秀、吳莉君(2013)。觀看的實踐:給所有影像世代的視覺文化導論。臉譜。 延伸查詢![new window](/gs32/images/newin.png) | 5. | Graham, Beryl、Cook, Sarah、龍星如(2016)。重思策展:新媒體后的藝術。清華大學出版社。 延伸查詢![new window](/gs32/images/newin.png) | 6. | Christian, Brian、Griffiths, Tom、甘錫安(2016)。決斷的演算:預測、分析與好決定的11堂邏輯課。行路出版社。 延伸查詢![new window](/gs32/images/newin.png) | 其他1. | 王福瑞,王俊傑(2009)。聲音/影像/空間--王福瑞與王俊傑的一個短談,http://www.itpark.com.tw/artist/essays_data/221/566/283。 延伸查詢![new window](/gs32/images/newin.png) | 2. | 李佳霖(20170906)。等待重拍來臨:專訪音像雙人組HH,https://www.thenewslens.com/feature/tnbt/77575。 延伸查詢![new window](/gs32/images/newin.png) | 3. | 李鑫(20170718)。聲影・噪景・派對音像逆生成:HH,https://blow.streetvoice.com/34665/。 延伸查詢![new window](/gs32/images/newin.png) | 4. | 盧藝(2009)。TRANSONIC2009,http://goodluyi.com/?page_id=1466。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 圖書論文1. | Paul, Christiane(2007)。The Database as System and Cultural Form: Anatomies of Cultural Narratives。Database Aesthetics: Art in the Age of Information Overflow。Minneapolis:University of Minnesota Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Nake, Frieder(2012)。Construction and Intuition: Creativity in Early Computer Art。Computers and Creativity。Springer。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | 邱誌勇(2011)。數位科技浪潮下的當代電影變貌。媒體科技與文化全球化讀本。揚智文化事業股份有限公司。 延伸查詢![new window](/gs32/images/newin.png) | 4. | Levin, Golan(2010)。Audiovisual Software Art。Audiovisuology: Compendium。Verlag der Buchhandlung Walther König。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | |