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題名:Toward a General Poetics of Chinese-Western Landscape Poetry: A Semiotic-Deconstructive Approach
書刊名:師大學報
作者:古添洪
出版日期:1990
卷期:35
頁次:頁159-182
主題關鍵詞:山水詩中西記號解構學詩學模式
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(1) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:0
  • 點閱點閱:22
「解構」(deconstructive)的傾向實貫通當代的思維,故論文之初及界定記號學(semiotics)所含涉的五種解構行為,作為本文的理論基礎,進而於論文中提出三個解構的透視,以論述中西山水詩,並以此三透視作為其詩學模式。其一,中西山水詩歌皆有超越感官世界的「道」或「Logos」作為山水背後的意義,也即普爾斯(C. S. Peirce)記號衍義行為中的「最終義符」(final interpretant)。其二,山水詩歌解釋上的兩極,或謂山水的純然演出,或謂心志的終極勝利,在記號解構學的觀照下,都不免為兩「偏」,而歸結於記號底「規範功能」(modelling function)及「主題框框」兩概念,以解釋山水詩。其三,山水詩的表達,以「肖像法」(iconism)為基礎,其上則可上置有「喻況法」(metaphorical mode)。結論則本於前面所述,納入文類學家托鐸洛夫(Todorov)的三元模式,以建構中西山水詩的詩學模式。
期刊論文
1.Yip, Wai-Lim(1978)。Aesthetic Consciousness of Landscape in Chinese and Anglo-American Poetry。Comparative Literature Studies,15(2),211-241。  new window
2.Frodsham, J. D.(1967)。Landscape Poetry in China and Europe。Comparative Literature,19(3),193-215。  new window
3.Frodsham, J. D.(1960)。The Origins of Chinese Nature Poetry。Asia Major,8,258-293。  new window
4.古添洪(1986)。Toward a General Poetics of Chinese-English Carpe Diem Poetry: Including a Description of the Iconicity-Conventionality Relation in Signification。Teaching and Research,8,263-279。  new window
圖書
1.王維、趙殿成(1975)。王右丞集箋注。臺北:河洛圖書出版社。  延伸查詢new window
2.Peirce, Charles Sanders(1931)。Collected Papers。Cambridge:Harvard Univ. Press。  new window
3.王國櫻(1988)。中國山水詩研究。臺北:聯經出版社。  延伸查詢new window
4.俞崑(1975)。中國畫論類編。臺北市:華正書局。  延伸查詢new window
5.Nicolson, Marjorie(1959)。Mountain Gloom and Mountain Glory。New York:Norton。  new window
6.劉勰、范文瀾、黃季剛(1958)。文心雕龍注。臺北:臺灣開明書店。  延伸查詢new window
7.Hartman, Geoffrey(1964)。Wordsworth's Poetry 1787-1814。New Haven:Yale UP。  new window
8.Barthes, Roland、Lavers, Annette(1972)。Mythologies。New York:Hill and Wang press。  new window
9.逯欽立(1984)。先秦漢魏晉南北朝詩。臺北:學海出版社。  延伸查詢new window
10.Barthes, Roland、Howard, Richard(1972)。Critical Essays。Northwestern University Press。  new window
11.Eco, Umberto(1976)。A Theory of Semiotics。Indiana University Press。  new window
12.柳宗元(1974)。柳河東集。臺北:河洛圖書出版社。  延伸查詢new window
13.Todorov, Tzvetan、Howard, Richard(1981)。Introduction to Poetics。Harvester Press。  new window
14.Todorov, Tzvetan、Howard, Richard(1975)。The Fantastic。Ithaca:Cornell UP。  new window
15.Wesling, Donald(1970)。Wordsworth and the Adequacy of Landscape。New York:Holt Rinehart。  new window
16.Abrams, M. H.(1979)。The Norton Anthology of English Literature。New York:Norton。  new window
17.Barthes, Roland、Howard, Richard(1974)。S/Z。New York:Hill and Wang。  new window
18.Bloom, Harold(1970)。Romanticism and Consciousness。New York:Norton。  new window
19.莊子、郭慶藩(1974)。莊子集釋。Taipei:Ho Lo。  延伸查詢new window
20.De Saussure, Ferdinand、Baskin, Wade(1959)。Course in General Linguistics。New York:McGraw-Hill。  new window
21.老子、朱謙之(1970)。老子校釋。臺北:明倫。  延伸查詢new window
22.Lotman, Jurij、Lenhoff, Gail、Vroon, Ronald(1977)。The Structure of the Artistic Text。Ann Arbor:U of Michigan P。  new window
23.王瑤(1973)。中古文學風貌。Hong Kong:Chung Liu。  延伸查詢new window
24.林文月(1976)。山水與古典。臺北:純文學出版社。  延伸查詢new window
圖書論文
1.Jakobson, Roman(1971)。Two Aspects of Language and Two Types of Aphasic Disturbances。Selected Writings II: Word and Language。The Hague:Mouton。  new window
 
 
 
 
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