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題名:勸善懲惡 幻化多端--由聶小倩論聊齋的鬼
書刊名:臺中師院學報
作者:黃盛雄
出版日期:1995
卷期:9
頁次:頁97-111
主題關鍵詞:聊齋
原始連結:連回原系統網址new window
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     本文以《聊齋志異》的女鬼聶小倩為例,旁及他鬼,探討《聊齋》中鬼魂的主要形象。聶小倩雖為妖鬼脅迫,以美色誘殺人;但一遇剛直的甯采臣,便勇敢脫離罪惡,為妹為妻,皆有節度,而又容顏美好,悅人心目,具備完好的鬼魂形象。他鬼也大多如此。因此,《聊齋》的鬼魂,於愛情、親情、友情,都能深切著明,熱心於為善勸善,也致力於懲惡。而《聊齋》又善於描繪,以美感淡化及改造人們對鬼魂的疏離恐懼,鬼魂的超能力即成為善勸善的無限力量。於是《聊齋》之鬼魂仍具備「勸善懲惡,幻化多端」的美化形象。
     This article, predicated on the story of the female ghost Nieh Hsiao-ch'ien coupled with those of other ghosts, dealt with the imagery of ghosts in Liachaichihi. Threatened by other ghost, the heroine Hsiao-ch'ien killed humans through the lure of her beauty. However, after encountering the righteous man Ning Ts'ai Ch'en, Hsiao-ch'ien, bravely divorced from the pit of wickedness, was able to strive for her well-being. In Nieh's family, Hsiao-ch'ien showed filial devotion to her mother-in-law and treated her relatives well. Besides her beauty, Hiao-ch'ien was an exemplary sister, wife, and mother. She was a paragon of beauty and virtue. Most of the ghosts in Liaochaichihi were also talented, beautiful, and able to tell the good from the evil; they were characterized by goodness and beauty.
圖書
1.劉階平(1978)。但刻聊齋志異。臺北:臺灣學生書局。  延伸查詢new window
2.羅敬之(1986)。蒲松齡及其聊齋志異。台北:國立編譯館。  延伸查詢new window
3.王世德(1983)。美學辭典。美學辭典。  延伸查詢new window
 
 
 
 
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