:::

詳目顯示

回上一頁
題名:清代畫史的作品風格研究
書刊名:藝術學
作者:莊素娥
作者(外文):Chuang, Su-o
出版日期:1997
卷期:18
頁次:頁43-74
主題關鍵詞:清代畫史
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(3) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:3
  • 共同引用共同引用:10
  • 點閱點閱:27
期刊論文
1.Fong, Wen C.(1969)。Toward a Structural Analysis of Chinese Landscape Painting。Art Journal,28(4),388-397。  new window
2.Wicks, Ann Barrott(1983)。Wang Shimin's Orthodoxy: Theory and Practice in Early Qing Painting。Oriental Art,29(3),265-274。  new window
3.Loehr, Max(1970)。Art-Historical Art: One Aspect of Ch'ing Painting。Oriental Art,16(1),35-37。  new window
4.王耀庭(19891000)。鄒一桂其人其藝。故宮文物月刊,7(7)=79,118-127。new window  延伸查詢new window
5.Cahill, James(1963)。Yüan Chiang and His School。Ars Orientalis,5,259-272。  new window
6.Cahill, James(1970)。The EaYuan Chiang and His Schoolrly Styles of Kung Hsien。Oriental Art,16。  new window
7.Cahill, James(1966)。Yüan Chiang and His School。Ars Orientalis,6,191-212。  new window
8.Chou, Ju-hsi(1978)。Are We Ready for Shih-t'ao?。Phoebus,2,1978-79。  new window
9.Chung, Saehyang P.(1985)。An Introduction To The Changzhou School of Painting。Oriental Art,31(3),293-308。  new window
10.Chung, Saehyang P.(1985)。An Introduction To The Changzhou School of Painting。Oriental Art,31(2),146-160。  new window
11.Fong, Wen(1986)。Review of The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting, by James Cahill。Art Bulletin,68(3),504-508。  new window
12.Fong, Wen(1970)。Orthodoxy and Change in Early-Ch'ing Landscape Painting。Oriental Art,16(1),38-44。  new window
13.Fong, Wen(1959)。A Letter from Shih-t'ao to Pa-ta-shan-jên and the Problem of Shih-t'ao's Chronology。Archives of the Chinese Art Society of America,13,22-53。  new window
14.Fong, Wen(1963)。Chinese Painting: A Statement of Method。Oriental Art,9(2),2-8。  new window
15.Jao, Tsung-i(1976)。On Chu Ta's Shih-Shuo Poems and His Flower and Bird Album Dated 1684。Journal of the Institute of Chinese Studies of The Chinese University of Hong Kong,8(2)。  new window
16.Giacalone, V.(1975)。Chu Ta: Toward An Understanding of His Art。Oriental Art,21。  new window
17.Fu, Shen(1976)。An Aspect of Mid-Seventeenth Century Chinese Painting: The "dry Linear" Style and the Early Work of Tao-chi。Journal of the Institute of Chinese Studies of The Chinese University of Hong Kong,8(2)。  new window
18.Silbergeld, Jerome(19761200)。The Political Landscapes of Kung Hsien, in Painting and Poetry。香港中文大學中國文化研究所學報,8(2),561-574。  延伸查詢new window
19.Reardon, Jackie(1981)。Setting Out At Dawn on An Autumn River: A Painting By Wang Hui And The Enigma of Kuan t'ung。Artibus Asiae,41。  new window
20.Silbergeld, Jerome(1981)。Kung Hsien: A Professional Chinese Artist and His Patronage。The Burlington Magazine,123。  new window
21.Silbergeld, Jerome(1980)。Kung Hsien's Self-portrait in Willows, with Notes on the Willow in Chinese Painting and Literature。Artibus Asiae,41。  new window
22.Vinograd, Richard(1977)。"Reminiscences of Ch'in-Huai": Tao-Chi and the Nanking School。Archives of Asian Art,31,6-31。  new window
23.曾嘉寶(19850000)。The Relationships of Hua Yan and Some Leading Yangzhou Painters as Viewed From Literary and Pictorial Evidence。東方文化,23(1),1-28。new window  new window
24.Whitfield, Roderick(1968)。Chinese Painting: The Last 300 Years。Oriental Art,14。  new window
25.Yang, Po-ta(1985)。The Ch'ing Dynasty Painting Academy。Journal of the Palace Museum,,3。  new window
26.Wu, William(1970)。Kung Hsien's Style and His Sketchbooks。Oriental Art,16。  new window
27.王方宇(19870400)。八大山人繪畫作品的分期問題。藝術家,24(5)=143,167-193。  延伸查詢new window
28.王方宇(19920200)。八大山人書畫的贋本。故宮文物月刊,9(11)=107,100-136。  延伸查詢new window
29.何傳馨(19840600)。石谿及其茂林秋樹卷。故宮文物月刊,2(3)=15,96-101。new window  延伸查詢new window
30.王衛明(1984)。虛谷的藝術風格。美術研究,1984(3)。  延伸查詢new window
31.邱振中。八大山人畫法與繪畫作品中空間特徵的比較。朵雲,16。  延伸查詢new window
32.何傳馨(19851200)。筆墨知己:程正揆與石谿。故宮文物月刊,3(9)=33,57-62。new window  延伸查詢new window
33.何傳馨(19860200)。嵐光江影:樊圻的繪畫。故宮文物月刊,3(11)=35,69-73。new window  延伸查詢new window
34.徐邦達(1988)。吳歷的早期山水畫冊。文物,1988(4)。  延伸查詢new window
35.洪丕森。漸江畫中的裝飾因素試探。  延伸查詢new window
36.金岡酉三。關於假託八大山人畫的荷花圖偽蹟97。new window  延伸查詢new window
37.莊素娥(19890300)。李鱓的生平和畫風。藝術學,3,49-77。new window  延伸查詢new window
38.張子寧。八大山人之山水畫初探。朵雲,15。  延伸查詢new window
39.張子寧。八大山人山水畫的研究。故宮文物月刊,9(1)。new window  延伸查詢new window
40.許忠陵(1984)。略談禹之鼎的畫風。故宮博物院院刊,1984(3)。  延伸查詢new window
41.莊素娥(1989)。高翔和他的山水畫。藝術評論,1989(1)。new window  延伸查詢new window
42.劉芳如(19850300)。無真相有真魂:黃慎畫風略論。故宮文物月刊,2(12)=24,98-107。new window  延伸查詢new window
43.劉芳如(19890900)。清季人物畫巨匠﹣﹣任伯年。故宮文物月刊,7(6)=78,64-71。new window  延伸查詢new window
44.劉九庵。再記八大山人書畫中的幾個問題。故宮文物月刊,9(1)。new window  延伸查詢new window
45.饒宗頤。八大繪畫構圖與臨濟、曹洞法師。故宮文物月刊,9(1)。new window  延伸查詢new window
46.鍾銀蘭。八大山人作品真偽辨析初探。朵雲,16。  延伸查詢new window
47.薛永年(1986)。李鱓的家世與早期作品。美術研究,1986(2),80-82。  延伸查詢new window
48.劉芳如(19930300)。「畫文勤公像」賞析--齊白石早期的人物畫風格。故宮文物月刊,10(12)=120,4-19。new window  延伸查詢new window
49.楊臣彬(1985)。梅清生平及其繪畫藝術。故宮博物院院刊,1985(4),49-57。  延伸查詢new window
50.楊新(1987)。三卷弘仁山水畫真偽考辯。故宮博物院院刊,1987(1)。  延伸查詢new window
會議論文
1.Cahill, James(1987)。The "Madness" in Pa-ta Shan-jen's Paintings。The College Art Association annual meeting。Boston。  new window
2.Sullivan, Michael(1970)。Some Possible Sources of European Influence on Ming and Early Ch'ing Painting。International Symposium on Chinese Painting。Taipei:National Palace Museum。  new window
學位論文
1.Chuang, Su-o(1987)。The Art of Li Fang-ying--A Painter of Himself(博士論文)。University of Iowa。  new window
2.Chou, Ju-hsi(1970)。In Quest of the Primordial Line: The Genesis and Content of Tao-chi's Hua-yu Lu(博士論文)。Princeton University。  new window
3.Del banco, Dawn Ho(1982)。Nanking and the Mustard Seed Garden Manual of Painting, 1906-1951(博士論文)。Harvard University。  new window
4.Lee, Shwu-ching(1994)。The Paintings of Mei Qing (1624-1697)(博士論文)。University of London。  new window
5.Soong, James Han-hsi(1978)。A Visual Experience in Nineteenth-Century China: Jen Ponien and the Shanghai School of Painting(博士論文)。Stanford University。  new window
6.Wu, William(1979)。Kung Hsien(博士論文)。Princeton University。  new window
7.王翠萍(1982)。吳歷研究(碩士論文)。文化大學。  延伸查詢new window
8.王碧華(1980)。王翬研究(碩士論文)。國立臺灣大學。  延伸查詢new window
9.汪聞賓(1990)。沈銓的人與畫--兼論與日本長崎畫派的關係(碩士論文)。國立臺灣師範大學。  延伸查詢new window
10.南淑香(1985)。王時敏繪畫之研究(碩士論文)。中國文化大學。  延伸查詢new window
11.金大列(1983)。石濤及其繪畫之研究(碩士論文)。國立臺灣師範大學。  延伸查詢new window
12.莊伯顯(1990)。黃山畫派之研究(碩士論文)。國立臺灣師範大學。  延伸查詢new window
13.梅韻秋(1996)。從張崟畫風談十九世紀前期吳派傳統的復興(碩士論文)。台灣大學。  延伸查詢new window
14.莊瑞宜(1994)。改琦人物畫研究(碩士論文)。國立臺灣藝術大學。  延伸查詢new window
15.莊素娥(1978)。李鱓研究(碩士論文)。文化大學。  延伸查詢new window
16.趙麗黛(1988)。華嵒之研究(碩士論文)。國立臺灣師範大學。  延伸查詢new window
17.劉坤富(1984)。龔賢的山水藝術(碩士論文)。國立臺灣師範大學。  延伸查詢new window
18.許瓊朱(1989)。虛谷及其繪畫之研究(碩士論文)。文化大學。  延伸查詢new window
19.郭繼生(1972)。王原祁的山水藝術(碩士論文)。國立臺灣大學。  延伸查詢new window
20.熊瑞香(1989)。弘仁繪畫創作背景及創作觀之研究(碩士論文)。文化大學。  延伸查詢new window
21.何傳馨(1982)。石谿的生平與繪畫(碩士論文)。國立臺灣大學。  延伸查詢new window
圖書
1.Fu, Marilyn、Fu, Shen(1973)。Studies in Connoisseurship: Chinese Paintings from the Arthur M. Sackler Collection in New York and Princeton。Princeton:The Art Museum。  new window
2.Cahill, James(1982)。The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting。Cambridge, Massachusetts:Harvard University Press。  new window
3.Ellsworth, Robert(1987)。Later Chinese Painting and Calligraphy, 1800-1950。New York:Random House。  new window
4.Edwards, Richard(1967)。The Painting of Tao-chi。Ann Arbor:University of Michigan Museum of Art。  new window
5.Coleman, Earle J.(1978)。Philosophy of painting by Shih-T'ao : a translation and exposition of his Hua-P'u (Treatise on the philosophy of painting)。De Gruyter Mouton。  new window
6.Fong, Wen(1976)。Returning Home: Tao-Chi's Album of Landscapes and Flowers。New York:George Braziller。  new window
7.Fu, Shen、Fu, Marilyn(1973)。The Wilderness Colors of Tao-chi。New York:Metropolitan Museum of Art。  new window
8.Kuo, Chi-sheng(1990)。The Austere Landscape: The Paintings of Hung-jen。Nan-tien Publishing Inc。  new window
9.Wilson, Marc(1969)。Kung Hsien, Theorist and Technician in Painting。Kansas City:Nelson Gallery-Atkins Museum of Art。  new window
10.Wang, Fangyu、Barnhart, Richard(1990)。Master of The Lotus Garden。New Haven:Yale University Press。  new window
11.Woo, Catherine Yi-yu Cho(1986)。Chinese Aesthetics and Ch'i Pai-shih。Hong Kong:Joint Publishing Company。  new window
12.Chou, Ju-hsi、Brown, Claudia(1985)。The Elegant Brush: Chinese Painting Under the Qianlong Emperor, 1735-1795。Phoenix Art Museum。  new window
13.莊素娥(1996)。高鳳翰繪畫研究。台北市:藝術家。  延伸查詢new window
圖書論文
1.Cahill, James K.(1991)。K'un-ts'an and His Inscriptions。Winds and Images: Chinese Poetry, Calligraphy, and Painting。Princeton University Press。  new window
2.Fong, Wen(1991)。Words and Images in Late Ming and Early Ch'ing Painting。Words and Images: Chinese Poetry, Calligraphy, and Painting。Princeton University Press。  new window
3.Hsu, Ginger Cheng-chi(1989)。Merchant Patronage of the Eighteenth Century Yangchou Painting。Artists and Patrons。University of Washington Press。  new window
4.Lee, Stella Yu(1989)。Art Patronage of Shanghai in the Nineteenth Century。Artists and Patrons。University of Washington Press。  new window
5.Kim, Hongnam(1989)。Chou Liang-kung and His Tu-hua-lu Painters。Artists and Patrons。University of Washington Press。  new window
6.Rosenzweig, Daphne(1989)。Reassessment of Painters at the Early Ch'ing。Artists and Patrons。University of Washington Press。  new window
7.Tong, Ginger(1989)。Yun Shou-p'ing and His Patrons。Artists and Patrons。University of Washington Press。  new window
8.Wang, Fang-yu(1976)。Chu Ta's "Shih Shuo Hsin Yu" poems。The Translation of Art: Essays on Chinese Painting and Poetry。Hong Kong:Chinese University of Hong Kong。  new window
9.Wu, Marshall(1989)。A-erh-hsi-p'u and His Collection。Artists and Patrons。University of Washington Press。  new window
10.王方宇(1986)。八大山人作品的分期問題。八大山人研究。江西:江西人民出版社。  延伸查詢new window
11.方聞(1988)。八大山人生平與藝術分期之研究。八大山人研究。江西人民出版社。  延伸查詢new window
12.Yang, Po-ta(1991)。The Development of the Ch'ien-lung Painting Academy。Words and Images: Chinese Poetry, Calligraphy, and Painting。Princeton University Press。  new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top