本研究探討演藝廳中聽眾對現場音樂演出的及時主觀感受，並對取得主觀紀錄的 過程與方法加以檢討。主觀評估在國內四個大型演藝廳現場以問卷記錄方式進行，對象為大 型交響樂團正式演出前的采排，研究中所探討主題包含各個廳堂評估結果之比較，主觀屬性 間的關係，以及室內音響性能外之主觀因素 (如視覺感受與演出水準等 ) 對整體聽覺感受 的影響。 就此四個演藝廳而言，本研究發現影響整體聽覺感受最重要 (lrl>0.298) 的屬性 為清晰度、音源寬廣度、聲部方向感、與親近感，但此四個屬性卻彼此間有顯著的線性關係 。 餘響 (以評估尺度中間值為理想值加以修正 ) 與整體聽覺感受的線性關係 (r= 0.234) 較前述之關係弱，而整體聽覺感受並與視覺感受和演出水準等次要因素高度相關 (r>0.390)

　　　　　Investigations were conducted regarding subjective evaluation of acoustical environments in Auditoria. Emphases were placed upon instantaneous responses of how people hear and what they like to listen to musical performances. Evaluation of music sounds were made during rehearsals of symphony orchestra in four major auditoria in Taiwan. The gathered data were used to analyze the relationships among subjective attributes and the influence of secondary factors such as visual quality and quality of performance. Based on data from the four auditoria, overall acousitcal impression was found to be significantly (lrl >0.298) correlated with clarity, intimacy, source width, and sound localization while the four attributes as described were inter-correlated with one another. The secondary factors which were found to be correlated with overall impression are visual impression,quality of performance, taste for music piece(r>0.390) . The relation between overall acoustical impression and reverberance was not so significant(r=0.234) as indicated by Barron.