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題名：杜象隱匿之處--東方神秘主義之線索的發現
書刊名：現代美術學報
作者：李長俊
作者(外文)：Lee, Charng-jiunn
出版日期：1998
卷期：1
頁次：頁5-22
主題關鍵詞：馬塞爾杜象；東方神秘主義
原始連結：連回原系統網址new window
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　　　　　被人尊稱為「現代藝術之父」，馬塞爾杜象的觀念激發了一九六○年代以後許多的藝術形式。然而儘管他對於和他同時代和後來的藝術家有如此深刻的影響力，杜象本人的品至今仍然令人無法捉摸，從而衍生了各式各樣的詮釋。其理由可能是杜象本人一向拒絕更接地說明他作品的意義和其靈感的來源。 注意到達達主義者和古老遠東的神秘主義之間，的確存在著某種關聯性，還有部分美術史家感覺到杜象作品裡面的東方味道，本研究者特地展開一個全面性的、嚴肅的檢驗，目的在於看杜象與東方文化的可能關聯。此研究包括對於現存所有杜象的寫作、筆記、書信來往演說和接受別人的訪問的徹底研讀。本研究同時也包括重新檢視杜象的視覺作品，包括油畫、現成物、裝置、設計、機器結構、照相和姿態等各類作品。本文也包括杜象親近的朋友之藝術觀念的考察。這些研究將明白顯示有關東方思想的訊息，在杜象製作他的作品時是隨手可得的。 目前流行有關杜象的理論，基本上是認為他的作品本身是片斷的、任意的、不聯貫的，目的只是在嘲弄傳統有關藝術和意義之關係；本研究者則將證明不僅杜象的作品是他一生追求自我發現的精神歷程，而且它們的內涵意義也是前後一致的。在發現杜象的作品本身強烈地暗示某種東方的圖象學和隱匿的象徵之後，本研究者將竭盡所能去解開這些謎底。本篇論文為整個研究的緒論。
　　　　　Revered as "the father of modern art", Marcel Duchamp's idea inspired many new art forms after the 1960s. Given his profund influence on contemporary and subsequent artists, Duchamp's own work remains extremely elusive and germinates all kinds of readings. The reason perhaps is that Duchamp consistently refused to explain more directly and clearly the meanings and sources of his works and ideas. Noticing that there did exist certain affinity between Dada and Far Eastern mysticism and that some art historians have sensed certain Oriental flavor in Duchamp's work, this researcher has set out for a comprehensive and serious investigation of Duchamp's possible connection with the Far Eastern culture. The inquiry includes a thourough study of Duchamp's writings, notes, correspondences, speeches, interviews with him by others and a careful re-examination of Duchamp's visual works including oil paintings, ready-mades, installations, graphic designs, machine-structures, photographs, and gestures. This research also includes a general survey of the ideas of those of Duchamp's lose associates. It also makes clear that the Oriental sources were available to Duchamp when he made his works. While the currently more popular theory about Duchamp looks at his work as mainly a cynical repudiation of traditional claims of art to significance and is in itself fragmented, gratuitous and inconsistent; this researcher will prove that not only is Duchamp's life work a spiritual process of the artist's self-discovery but also significantly coherent. Finding Duchamp's work strongly suggests a hidden involvement with certain types of Oriental iconography and symbolism, this researcher also makes every effort to decode them, The present essay is the introduction of that endeavor.
期刊論文
1.Cage, John(1973)。On Marcel Duchamp: an Interview by Moira and William Roth。Art in America，61。  new window
2.Cook, Albert(1986)。The Meta-Irony of Marcel Duchamp。Journal of Aesthetics and Art Criticism，44。  new window
3.Loring, John(1974)。A Book by Its Cover。Arts Magazine，1974(Nov.)。  new window
4.Levy, Julien(1945)。Duchampiana。View, scries V，1。  new window
5.Lada-Vlocarski, Polly、Lyon, Mary(1961)。Bookbinding: the Art of Mary Reynolds。Craft Horizon，21(1)。  new window
6.(1988)。Empyrrhical Thinking。Artforum，27。  new window
7.McHvillcy, Thomas(1982)。Pyrrhonism and Madhyamika。Philosophy East and West，32(1)。  new window
8.Norman, Dorothy(1969)。Marcel Duchamp: Interview by Dorothy Norman。Art in America，57(4)。  new window
9.Naumann, Francis(1982)。Affectueusement, Marcel: Ten Letters from Marcel Duchamp to Suzanne Duchamp and Jean Crotti。Archives of American Art Journal，22(4)。  new window
10.Roth, Moira(1973)。Robert Smithson on Duchamp: an Interview。Artforum，12(2)。  new window
11.Roberts, Francis(1968)。I Propose to Strain the Law of Physics: Interview with Marcel Duchamp。Art News，67。  new window
圖書
1.Bcinecke Rare Book & Manuscript Library(1989)。Marcel Duchamp: Correspondence by Him to Various Persons, microfilm。New Heaven, CN：Yale UP。  new window
2.Baruchello, Gianfranco、Martin, Henry(1985)。Why Duchamp?。New York：McPherson。  new window
3.Art Institute of Chicago(1956)。Surrealism and Its Affinities: The Mary Reynolds Collection, exhibition catalog。Chicago：Art Institute of Chicago。  new window
4.Arman, Yves(1984)。Marcel Duchamp: Plays and Wins。New York：Gallery Yves Arman。  new window
5.Alexandrian, Sarane(1977)。Marcel Duchamp。New York：Crown。  new window
6.Camfield, William、Martin, Jean(1983)。Tabu Dada: Jean Crotti and Suzanne Duchamp, exhibition catalog。Philadelphia, PN：Philadelphia Museum of Art。  new window
7.Cabannc, Pierre(1971)。Dialogues with Marcel Duchamp。New York：Viking。  new window
8.Bonk, Ecke(1989)。Marcel Duchamp: The Portable Museum。London：Thames & Hudson。  new window
9.Blavatsky, R.(1907)。The Key to Theosophy。Point Loma, CA：The Aryan Theosophical Press。  new window
10.Embree, Ainslie(1988)。Encyclopedia of Asian History。New York：Charles Scribner’s。  new window
11.Dumoulin, Heinrich(1988)。Zen Buddhism: A History。New York：MacMillan。  new window
12.D'Harnoncourt, Anne、McShine, Kynasten(1973)。Marcel Duchamp, exhibition catalog。New York：Museum of Modem Art。  new window
13.Chipp, Herschel(1968)。Theories of Modern Art。Berkeley, CA：U of California P。  new window
14.Kuenzli, Rudolf、Naumann, Francis(1989)。Marcel Duchamp: Artist of the Century。Cambridge, MA：MIT Press。  new window
15.Jean, Marcel、Mezci, Arpad(1960)。History of Surrealist Painting。New York：Grove。  new window
16.Hopps, Walter、Linde, Ulf、Schwarz, Arturo(1964)。Marcel Duchamp: Readymades, etc (1913-1964), exhibition catalog。Milan：Galeria Schwarz。  new window
17.Goldwater, Robert(1986)。Primitivism in Modern Art。MA：Harvard UP。  new window
18.Foster, Stephen、Kuenzli, Rudolf(1979)。Dada Spectrum: the Dialectics of Revolt。Iowa City, IA：U of Iowa P。  new window
19.(1986)。Los Angeles County Museum of Art Spiritual in Art Abstract Painting 1890-1985, exhibition catalog。New York：Abbeville。  new window
20.Lcbel, Robert(1959)。Marcel Duchamp。New York：Grove。  new window
21.Motherwell, Robert(1967)。The Dada Painters and Poets: An Anthology。New York：George Wittenbom。  new window
22.Masheck, Joseph(1975)。Marcel Duchamp in Perspective。Englewood Cliffs, NJ：Prentice-Hall。  new window
23.Marquis, Alicc(1981)。Marcel Duchamp: Eros, e'est la vie。Troy, NY：Whitston。  new window
24.Paz, Octvio(1970)。Marcel Duchamp or The Castle of Purity。London：Cape Gallard。  new window
25.The Mary and William Sisler Collection(1984)。Exhibition catalog。New York：Museum of Modern Art。  new window
26.Musée de l'Art Moderne de la Ville de Paris(1989)。Frantisek Kupka, exhibition catalog。Paris：Musec d’Art Modcme de la Vi lie dc Paris。  new window
27.Sanouillet, Michel、Peterson, Elmer(1973)。Salt Seller。New York：Oxford UP。  new window
28.Reese, William L.(1980)。Dictionary of Philosophy and Religion: Eastern and Western Thought。Atlantic Hightland, NJ：Humanities Press。  new window
29.Peiris, William(1973)。The Western Contribution to Buddhism。Delhi：Motilal Banarsidass。  new window
30.Wieger, Leon(1917)。Histoire des croyances religieuses et des opionions philosophiques en chine。Tien-chin。  new window
31.Vachtova, Ludmila(1968)。Frank Kupka: Pioneer of Abstract Art。New York：McGrawHill。  new window
32.Stangos, Nikos(1981)。Concepts of Modern Art。London：Thames & Hudson。  new window
33.Schwarz, Arturo(1969)。The Complete Works of Marcel Duchamp。New York：Abrams。  new window
34.商務印書館(1983)。辭源。北京：商務印書館。  延伸查詢new window
35.金岡秀友(1989)。佛敎文化事典。東京：佼成社。  延伸查詢new window
36.Won, Ko(1977)。Buddhist Elements in Dada。New York：New York UP。  new window
37.Watts, Allan(1957)。The Way of Zen。New York：Vintage。  new window
 
 
 
 
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