Hamlet: Shakespeare at Metaplay__臺灣人文及社會科學引文索引資料庫

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題名：	Hamlet: Shakespeare at Metaplay
書刊名：	國立臺灣大學文史哲學報
作者：	邱錦榮
作者(外文)：	Chiu, Chin-jung
出版日期：	1999
卷期：	51
頁次：	頁223-225+227-253
主題關鍵詞：	Shakespeare；Hamlet；Metaplay；Metatheater；Metadrama；莎士比亞；哈姆雷特；後設遊戲；後設劇場；後設戲劇
原始連結：	連回原系統網址
相關次數：	被引用次數:期刊(3) 博士論文(0) 專書(0) 專書論文(0) 排除自我引用:3 共同引用:0 點閱:60

　　　　　＜哈姆雷特＞是莎翁戲劇中評論匯聚最多的作品，相形之下，也是莎劇裡負擔最沈重的一齣，它不但是各種批評方法操練演繹的試金石，劇中主人翁哈姆雷特王子也蒙上憂鬱神密的哲學色彩。自六○年代起，歐美學界興起後設批評的風潮，舉凡小說、戲劇、甚至文學批評本身都形成自我觀照，審視自身文類的閱讀策略。個人發現援用後設戲劇的批評角度可以化繁為簡，將莎劇回歸它的應屬之地－－劇場，特別是莎翁一生合作最久，為之量身定作多齣傳世名劇的「環形劇院」。後設劇場刻意「自暴其短」，把戲劇的虛擬性質原原本本呈現在觀眾眼前，本此初衷，後設戲劇致力於鬆動舞臺幻象，進行「人生如戲」抑或「戲如人生」的辯證。本文藉＜哈＞劇文本與當時劇場生態的交叉分析，嘗試解決劇本若干懸宕已久的問題，例如王子一再延遲復仇大計，看似與劇情發展無關的冗長獨白，以及他實際的年齡與氣質不符等疑點。

以文找文

　　　　　Since 1960s meta-discourse has become an important approach to literary works of various genres. Lionel Abel, a pioneer of meta-strategy in the field of drama, has pointed out a common character in what he terms as "metaplays": "All of them are theater pieces about life seen as already theatricalized." Embedded in this notion is the idea of theater as self-exposure, exposing its theatricality to its audience and thus distablizes stage illusion. Beginning with a brief survey of Shakespeare-oriented metadramatic criticisms, this essay aims to situate Hamlet in The Globe where the Bard created the most powerful roles including Hamlet, King Lear, and Othello and where he must have moved most easily. The essay traces the rich theatrical aspects of Hamlet as an alternative model for describing the over-charged play. Predicated on theater's self-referentiality, the paper proposes an alternative view to look at a few problems of the play which have, thus far, not been settled down, particularly Hamlet's procrastination, his frequent appeal to soliloquies, discredited by T. S. Eliot as "in excess of the facts as they appear", and, last but not least, his real age: Shakespeare is therefore seen as a playwright who has constant anxiety about the deficiencies of the theater, which underscores, on the contrary, his strengths in dealing with his working medium, be it the black and white printed pages or the more colorful boards of stage.

以文找文

期刊論文
1.	Sanderson, Richard K.(1992)。Suicide as Message and Metadrama in English Renaissance Tragedy。Comparative Drama，26(3)，199-217。
2.	Fly, Richard(1986)。The Evolution of Shakespearean Metadrama: Abel, Burckhardt, and Calderwood。Comparative Drama，20(2)，124-139。
3.	Lovord, Marie(1994)。The Rise of Metadrama and the Fall of the Omniscient Observer。Modern Drama，37(3)。
4.	Mack, Maynard(1952)。The World of Hamlet。Yale Review，41，502-523。
5.	Proser, Matthew N.(1981)。Madness, Revenge, and the Metaphor of the Theater in Shakespeare's Hamlet and Pirandello's Henry the Fourth。Modern Drama，24(3)，338-351。
6.	Shapiro, Michael(1981)。Role-Playing, Reflexivity, and Metadrama in Recent Shakespearean Criticism。Renaissance Drama，12，145-161。
7.	Fly, Richard(1986)。The Evolution of Shakespearean Metadrama: Abel, Burckhardt, and Calderwood。Comparative Drama，20(2)，124。
8.	Lovrod, Marie(1994)。The Rise of Metadrama and the Fall of the Omniscient Observer。Modern Drama，37(3)，497。
9.	Mack, Maynard(1952)。The World of Hamlet。Yale Review，41，502。
10.	Proser, Matthew N.(1981)。Madness, Revenge, and the Metaphor of the Theater in Shakespeare's Hamlet and Pirandello's Henry the Fourth。Modern Drama，24，339-352。
11.	Shapiro, Michael(1981)。Role-Playing, Reflexivity, and Metadrama in Recent Shakespearean Criticism。Renaissance Drama，12，145。

圖書
1.	Shakespeare, William(1967)。As You Like It。As You Like It。London, UK：Methuen。
2.	Jones, Ernest(1976)。Hamlet and Oedipus。New York：Norton。
3.	Calderwood, James L.(1983)。To Be and Not to Be: Negation and Metadrama in Hamlet。New York。
4.	(1995)。Shakespeare in Performance。New Jersey。
5.	Gurr, Andrew(1987)。Playgoing in Shakespeare's London。Cambridge：Cambridge University Press。
6.	Gass, William(1970)。Fiction and the Figures of Life。New York：Knopf。
7.	Wilshire, Bruce(1982)。Role Playing and Identity: The Limits of Theatre as Metaphor。Bloomington, IN：Indiana UP。
8.	Abel, Lionel(1963)。Metatheatre: A New View of Dramatic Form。New York：Hill and Wang。
9.	Calderwood, James L.(1979)。Metadrama in Shakespeare's Henriad。Berkeley：U of California P。
10.	Calderwood, James L.(1971)。Shakespearean Metadrama。Minneapolis：U of Minnesota P。
11.	Hubert, Judd D.(1991)。Metatheater: The Example of Shakespeare。Lincoln：London：U of Nebraska Press。
12.	Hawthron, Jeremy(1992)。A Concise Glossary of Contemporary Literary Theory。Edward Arnold。
13.	Shakespeare, William、Jenkins, Harold(1982)。Hamlet。London：Routledge。
14.	Bentley, Gerald Eades(1964)。Shakespeare and His Theatre。Shakespeare and His Theatre。Lincoln。
15.	Brown, John Russell(1996)。William Shakespeare: Writing for Performance。William Shakespeare: Writing for Performance。London, UK。
16.	Buckhard, Sigurd(1968)。Shakespearean Meanings。Princeton：Princeton UP。
17.	Calderwood, James L.(1983)。To Be and Not to Be: Negation and Metadrama in Hamlet。To Be and Not to Be: Negation and Metadrama in Hamlet。NY。
18.	Calderwood, James L.(1987)。Shakespeare and the Denial of Death。Shakespeare and the Denial of Death。Amherst。
19.	Clemen, Wolfgang(1987)。Shakespeare's Monologue。Shakespeare's Monologue。London, UK。
20.	Draper, John W.(1938)。The 'Hamlet' of Shakespeare's Audience。The 'Hamlet' of Shakespeare's Audience。Durham, NC。
21.	Eliot, T. S.(1950)。Selected Essays, 1917-1932。Selected Essays, 1917-1932。NY。
22.	Fergusson, Francis(1949)。The Idea of a Theater, Study of Ten Plays。The Idea of a Theater, Study of Ten Plays。Princeton。
23.	Fo, Dario(1994)。Elizabeth: Almost by Chance a Woman Plays: Two。Elizabeth: Almost by Chance a Woman Plays: Two。London, UK。
24.	Hartnoll, Phyllis(1968)。The Theatre。The Theatre。London, UK。
25.	Hawthorn, Jeremy(1992)。A Concise Glossary of Contemporary Literary Theory。A Concise Glossary of Contemporary Literary Theory。London, UK。
26.	Jones, Ernest(1976)。Hamlet and Oedipus (1949)。Hamlet and Oedipus (1949)。NY。
27.	Mack, Maynard(1962)。Engagement and Detachment in Shakespeare's Plays。Essays on Shakespeare and the Elizabethan Drama in Honour of Hardin Craig。Columbia。
28.	Parsons, Keith(1995)。Shakespeare in Performance。Shakespeare in Performance。New Jersey。
29.	Shakespeare, William(1980)。Tempest。Tempest。London, UK。
30.	Wright, Louis B.(1958)。Shakespeare's Theatre and the Dramatic Tradition。Shakespeare's Theatre and the Dramatic Tradition。Washington, DC。
31.	Bentley, Gerald Eades(1964)。Shakespeare and His Theatre。Shakespeare and His Theatre。Lincoln。
32.	Brown, John Russell(1996)。William Shakespeare: Writing for Performance。William Shakespeare: Writing for Performance。London。
33.	Buckhard, Sigurd(1968)。Shakespearean Meanings。Shakespearean Meanings。Princeton。
34.	Calderwood, James L.(1987)。Shakespeare and the Demial of Death。Shakespeare and the Demial of Death。Amherst。
35.	Clemen, Wolfgang(1987)。Shakespeare's Monologue。Shakespeare's Monologue。London。
36.	Draper, John W.(1938)。The "Hamlet" of Shakespeare's Audience。The "Hamlet" of Shakespeare's Audience。Durham, N.C.。
37.	Eliot, T. S.(1932)。Selected Essays, 1917-1932。Selected Essays, 1917-1932。New York。
38.	Fergusson, Francis(1949)。The Idea of a Theater, Study of Ten Plays。The Idea of a Theater, Study of Ten Plays。Princeton。
39.	Fo, Dario(1994)。Elizabeth: Almost by Chance a Woman. Plays: Two。Elizabeth: Almost by Chance a Woman. Plays: Two。London。
40.	Hartnoll, Phyllis(1968)。The Theatre。The Theatre。London。
41.	Mack, Maynard(1962)。Engagement and Detachment in Shakespeare's Plays。Essays on Shakespeare and the Elizabethan Drama in Honour of Hardin Craig。Columbia。
42.	Shakespeare, William(1980)。Tempest。Tempest。London。
43.	Wilshire, Bruce(1982)。Role Playing and Identity: The Limits of Theatre as Metaphor。Role Playing and Identity: The Limits of Theatre as Metaphor。Bloomington and Indianapolis。
44.	Wright, Louis B.(1958)。Shakespeare's Theatre and the Dramatic Tradition。Shakespeare's Theatre and the Dramatic Tradition。Washington DC。
45.	Shakespeare, William(1990)。Hamlet。Hamlet。

其他
1.	Hoges, Walter C.(1995)。Shakespeare's Globe and the Bankside Theatres，London, UK。
2.	Olivier, Laurence, dir(1948)。Hamlet，0。
3.	Zeffirelli, Franco(1990)。Hamlet，0。
4.	Hoges, Walter C.(1995)。Shakespeare's Globe and the Bankside Theatres，London。
5.	Shakespeare, William(1948)。Hamlet。

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