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題名:The Zhang Yimou [張藝謀] Model
書刊名:現代中文文學學報
作者:Lu,Tonglin
出版日期:1999
卷期:3:1
頁次:頁1-21
主題關鍵詞:中國電影
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:0
  • 點閱點閱:13
期刊論文
1.Chow, Key(199801)。The Seductions of Homecoming: Place, Authenticity, and Chen Kaige's "Temptress Moon"。Narrative,6(1),3-17。  new window
圖書
1.孟悅、戴錦華(1989)。浮出歷史地表:現代婦女文學研究。河南鄭州:河南人民出版社。  延伸查詢new window
2.Lu, Tonglin(1993)。Gender and Sexuality in Twentieth-century Chinese Literature and Society。Albany, N.Y.:State University of New York Press。  new window
3.Žižek, Slavoj(1994)。The Metastases of Enjoyment: Six Essays on Woman and Causality。London:Verso。  new window
4.CHANG, Kang-i Sun(1980)。Evolution of Chinese Tz'u Poetry: From Late Tang to Northern Sung。Princeton:Princeton University Press。  new window
5.CHOW, Rey(1991)。Chinese Woman and Modernity。Minneapolis:University of Minnesota Press。  new window
6.中國電影藝術研究中心、中國電影資料館(1995)。中國影片大典:故事片,戲曲片,1977-1994。Beijing:Zhongguo dianying chubanshe。  延伸查詢new window
7.Buell, Frederick(1994)。National Culture and the New Global System。Baltimore, Maryland:Johns Hopkins University Press。  new window
8.Žižek, Slavoj(1989)。The Sublime Object of Ideology。London:Verso。  new window
圖書論文
1.蘇童(1990)。妻妾成群。妻妾成群。臺北:遠流。  延伸查詢new window
2.Mulvey, Laura(1989)。Visual Pleasure and Narrative Cinema。Laura Mulvey, Visual and other Pleasures。Bloomington:Indiana University Press。  new window
3.CHOW, Rey(1993)。Against the Lure of Diaspora。Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies。Bloomington:Indiana University Press。  new window
4.WALLERSTEIN, Immanuel(1991)。The Ideological Tensions of Capitalism: Universalism versus Racism and Sexism。Race, Nation, Class: Ambiguous Identities。London:Verso。  new window
5.ZHANG, Xudong(1997)。Generational Politics: What Is the Fifth Generation?。Chinese Modernism in the Era of Reforms。Durham:Duke University Press。  new window
6.張頤武(1997)。「凝視」的焦慮。從現代性到後現代性。廣西:教育出版社。  延伸查詢new window
 
 
 
 
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1. 評Xiaoning Lu, «Moulding the Socialist Subject: Cinema and Chinese Modernity (1949~1966)» (Leiden: Brill, 2020)
2. Book Review: «Rethinking Transnational Chinese Cinemas: The Amoy-Dialect Film Industry in Cold War Asia»
3. 革命話語與日常世界--讀陳建華的《從革命到共和--清末至民國時期文學、電影與文化的轉型》
4. 中國獨立電影《蔓延》[何建軍導演]中的「盜版」
5. 少數民族電影與民族國家認同的建構
6. 中國電影盜版的語境:陰謀、民主,還是遊戲?
7. 評:傅葆石(Poshek Fu), Between Shanghai and Hong Kong: The Politics of Chinese Cinemas (Stanford, Calif.: Stanford University Press, 2003)
8. 再次觀看:以中國的實例重新思考電影中的性別
9. 評«Ethics after Idealism: Theory-Culture-Ethnicity-Reading» by Rey Chow. «Chinese Modernism in the Era of Reforms: Cultural Fever, Avant-Garde Fiction and the New Chinese Cinema» by Xudong Zhang
10. Visualizing Ah Q: An Allegory's Resistance to Representation
11. Sheldon Hsiao-peng Lu ed., «Transnational Chinese Cinemas: Identity, Nationhood, Gender»
12. 大師媒介還是大眾媒介﹖--中國電影脫口秀傳播模式考察及個案分析
13. 醜男人,美女子--中國新電影中的兩性政治
14. 中國電影中的民族性與國家話語
15. 都市的體貌如女人一般難以索解[書評:Yingjin Zhang, The City in Modern Chinese Literature and Film: Configurations of Space, Time, and Gender (Stanford, California: Stanford University Press, 1996)]
 
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