| 會議論文1. | (2002)。影像與傳播-閱讀麥克魯漢。觀看的對話「影像與傳播」學術研討會。臺北:中華民國攝影教育學會。40-58。 延伸查詢![new window](/gs32/images/newin.png) | 圖書1. | Lovejoy, Margot(1997)。Postmodern Currents: Art and Artists in the Age of Electronic Media。Upper Saddle River, New Jersey。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Decker-Phillips, Edith、Marie-Genviève Iselin(1998)。Paik Video。Station Hill Arts。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | D’Agostino, Peter(1985)。Transmission: Theory and Practice for a New Television Aesthetics。New York。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 4. | Lovejoy, Margot。Postmodern Currents: Art and Artists in the Age of Electronic Media。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 5. | Viola, Bill(1993)。Más allá de la mirada。Museo National Centro de Arte Reina sofia。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 6. | Wilson, Stephen(1993)。Light and Dark Visions: The Relationship of Cultural Theory to Art That Uses Emerging Technologies。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 7. | (1992)。SIGGRAPH 92 Visual Proceedings: Art Show Catalog。ACM。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 8. | Proust, Marcel(1989)。Le temps retrouvé。Paris。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 9. | Bellour, Raymond(1999)。L’Entre-Images。Paris。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 10. | (1997)。Bill Viola。New York:Whitney Museum of American Art (with Flammarion)。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 11. | London, Barbara(1987)。Bill viola。New York:The Museum of Modern Art。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 12. | Maza, Monique(1998)。Les Installations Vidéo,Oeuvres d'art。Paris。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 13. | McLuhan, Marshall(1995)。Understanding Media: the Extensions of Man。London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 14. | McLuhan, Marshall、Fiore, Quentin(1996)。The Medium is the Massage: An Inventory of Effects。Corte Madera, CA。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 15. | McLuhan, Marshall、Fiore, Quentin(2001)。The Medium is the Massage: An Inventory of Effects。Corte Madera, CA。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 16. | Kant, Emmanuel、Philonenko, A.(1989)。Critique de la faculté de juger。Paris。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 17. | Segalen, Victor(1902)。Les synesthésies et I 'école symbolisle。Montpellier。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 18. | Segalen, Victor(1981)。Les synesthésies et I 'école symbolisle。Montpellier。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 19. | Theall, Donald F.(2001)。The Virtual McLuhan。Montreal。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 20. | Schaeffer, Jean-Marie(1996)。Les Célibataires de I 'art。Paris。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 21. | Paul Virilio、楊凱麟(2001)。消失的美學。臺北:揚智。 延伸查詢![new window](/gs32/images/newin.png) | 22. | McLuhan, M.、Fiore, Q.(1967)。The Medium is the Massage: An Inventory of Effects。London:Penquin。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 23. | Rush, Michael(1999)。New Media Art in Late 20th-Century Art。London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 24. | 艾利克•麥克魯漢、法蘭克•金格隆、汪益(1999)。預知傳播紀事:麥克魯漢讀本。台北:台灣商務。 延伸查詢![new window](/gs32/images/newin.png) | 25. | Bagué, Dominique(1998)。La photographie plasticienne。Paris:Éditions du Regard。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 26. | McLuhan, Marshall(1964)。Understanding Media: The Extensions of Man。McGraw-Hill Book。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 圖書論文1. | Fargier, Jean-Paul(1986)。La lune n'est pas le soleil。Où va la vidéo?, no.spé., Les Cahiers du Chinéma。Paris。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Viola, Bill(1995)。History, 10 Years, and the Dreamtime。Reasons for Knocking at an Empty House, Writings 1973-1994。Cambridge, Massachusetts。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | Bélisle, Josée(1993)。Bill Viola ou l'attention incandescente。Musée d’art contemporain de Montréal。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 4. | Viola, Bill。The Porcupine and the Car。Reasons for Knocking at an Empty House, Writings 1973-1994。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 5. | Viola, Bill(1984)。Statement 1992。Reasons for Knocking at an Empty House, Writings 1973-1994。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 6. | Wettengl, Kurt(1999)。Room for St. John of the Cross。Bill Viola: European Insights, Museum für Moderne Kunst。Frankfurt / M.:Museum für Moderne Kunst。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 7. | Morgan, David(1996)。Secret Wisdom and Self-Effacement: The Spiritual in Art in the Modern Age。The Power of Art to Transform Lives。Chicago:Museum of Contemporary Art。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 8. | Viola, Bill(1986)。The Sound of One Line Scanning。Reasons for Knocking at an Empty House, Writing 1973-1994。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 9. | CrUwell, Konstanze。Reverse Television--Portraits of Viewers。Bill Viola: European Insights。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 10. | Viola, Bill、Neumier, Otto、Puhriger, Alexander(1973)。Putting the Whole Back Together。Reasons for Knocking at an Empty House, Writings 1973-1994。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 11. | Krauss, Rosalind(1986)。Video: The Aesthetics of Narcissism。Video Culture: A Critical Investigation。New York。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 12. | Herzogenrath, Wulf。Reasons for Knocking at an Empty House。Bill Viola: European Insights。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 13. | McLuhan, Marshall(1960)。Five Sovereign Fingers Taxed the Breath。Explorations in Communication。Boston。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 14. | McLuhan, Marshall(1966)。Five Sovereign Fingers Taxed the Breath。Explorations in Communication。Boston。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 15. | Baudelaire, Charles(1975)。Correspondances。Oeuvres completès。Paris。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 16. | Baudelaire, Charles(1997)。Correspondances。Oeuvres completès。Paris。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 17. | Zutter, Jörg。Interview with Bill Viola。Más allá de la mirada。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 18. | Lauter, Rolf。The Stopping Mind。Bill Viola: European Insights。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 19. | Viola, Bill(1992)。The Body Asleep。Reasons for Knocking at an Empty House, Writings 1973-1994。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 20. | Fargier, Jean-Paul。Premiers pas de l’homme dans le vide。Où va la vidéo?。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 21. | Lauter, Caterina-Maderna。The Crossing。Bill Viola: European Insights。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 22. | Viola, Bill(1990)。Video Black -- The Mortality of the Image。Reasons for Knocking at an Empty House, Writings 1973/1994。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | |