| 期刊論文1. | Merriam, Alan P.(1977)。Definitions of "Comparative Musicology" and "Ethnomusicology": An Historical-Theoretical Perspective。Ethnomusicolog,21(2),189-204。 | 2. | Jones, Stephen(1996)。Source and stream: Early music and living traditions in China。Early Music,24(3),375-388。 | 3. | Jones, Stephen(1999)。Chinese ritual music under Mao and Deng。British Journal of Ethnomusicolog,8,27-66。 | 4. | Impey, Angela(2006)。Musical Constructions of Place: Linking Music to Environmental Action in the St Lucia Wetlands。Southern African Journal of Environmental Education,23,92-106。 | 5. | Impey, Angela(2007)。Sound, memory and displacement: Exploring sound, song and performance as oral history in the southern African borderlands。Oral History Journal,36(1),33-44。 | 6. | Impey, Angela(2007)。Pathways of Song: Re-voicing Women's Landscapes in the Maputaland Borderlands。Agenda,73,102-116。 | 7. | Impey, Angela、Dovey, Lindiwe(2010)。African Jim: Sound, Politics, and Pleasure in Early 'Black' South African Cinema。Journal of African Cultural Studies,22(1),57-73。 | 8. | Impey, Angela(2013)。Songs of Mobility and Belonging: Gender, Spatiality and the Local in Southern Africa's Transfrontier Conservation Development。International Journal of Postcolonial Studies,15(2),255-271。 | 9. | Impey, Angela(2013)。The Poetics of Transitional Justice in Dinka Songs in South Sudan。UNISCI Discussion Papers,33,57-78。 | 10. | Norton, Barley(1996)。Free Rhythm: Ethnomusicology and the Study of Music Without Metre。Bulletin of the School of Oriental and African Studies,59(2),323-332。 | 11. | Clayton, Martin(1996)。Ethnographic Wax Cylinders at the British Library National Sound Archive: A Brief History and Description of the Collection。British Journal of Ethnomusicology,5(1),67-92。 | 12. | Clayton, Martin(1998)。You can't fuse yourself: Contemporary British-Asian music and the musical expression of identity。East European Meetings in Ethnomusicology,5,73-87。 | 13. | Clayton, Martin、Sager, Rebecca、Will, Udo(2005)。In time with the music: the concept of entrainment and its significance for ethnomusicology。European Meetings in Ethnomusicology,11,1-82。 | 14. | Clayton, Martin(2007)。Time, gesture and attention in a khyal performance。Asian Music,38(2),71-96。 | 15. | Clayton, Martin(2009)。Crossing Boundaries and Bridging Gaps: thoughts on relationships between ethnomusicology and music psychology。Empirical Musicology Review,4(2),75-77。 | 16. | Clayton, Martin、Leante, Laura(2015)。Role, status and hierarchy in the performance of North Indian classical music。Ethnomusicology Forum,24(3),414-442。 | 17. | List, George(1979)。Ethnomusicology: A Discipline Defined。Ethnomusicology,23(1),1-4。 | 會議論文1. | Ellis, Alexander J.(1885)。On the Musical Scales of Various。The Society of Arts Sixteenth Ordinary Meeting,(會議日期: 25 march, 1885)。 | 研究報告1. | Impey, Angela(2013)。Future Pasts in an Apocalyptic Moment: A Hybrid Analysis of 'Green' Performativities and Eco-cultural Ethics in a Globalised African Landscape。 | 圖書1. | Howard, Keith(2006)。Preserving Korean Music: Intangible Cultural Properties as Icons of Identity。London:Ashgate。 | 2. | Harris, Rachel、Pease, Rowan、Tan, Shzr Ee(2013)。Gender in Chinese Music。University of Rochester Press。 | 3. | Jones, Stephen(2004)。Plucking the Winds: Lives of Village Musicians in Old and New China。Leiden:CHIME Foundation。 | 4. | Jones, Stephen(1995)。Folk Music of China: Living instrumental traditions。Clarendon Press。 | 5. | Harris, Rachel(2004)。Singing the Village: Music, Memory, and Ritual amongst the Sibe of Xinjiang。Oxford University Press。 | 6. | Harris, Rachel(2008)。The Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Muqam。Ashgate Press。 | 7. | Norton, Barley(2007)。Elgar: an Extraordinary Life。ABRSM。 | 8. | Norton, Barley。Ideology in Britten's Operas。Cambridge University Press。 | 9. | Norton, Barley(2009)。An Introduction to Music Studies。Cambridge University Press。 | 10. | Norton, Barley(2007)。Elgar Studies。Cambridge University Press。 | 11. | Norton, Barley(2006)。Edward Elgar, Modernist。Cambridge University Press。 | 12. | Harper-Scott, J. P. E.(2012)。The Quilting Points of Musical Modernism。Cambridge University Press。 | 13. | Smith, Therese(1997)。Blas: the Local Accent in Traditional Irish Music (selected proceedings)。Dublin:Folk Music Society of Ireland。 | 14. | Smith, Therese(2004)。Let the Church Sing!: Music and Worship in a Black Mississippi Community。University of Rochester Press。 | 15. | Devereux, E.、Dillan, Aileen、Power, M.(2011)。Morrissey: Fandom, Representation and Identities。Intellect Books。 | 16. | Devereux, E.、Dillan, Aileen、Power, M.(2015)。David Bowie: Critical Perspectives。Routledge。 | 17. | Haynes, A.、Power, M.、Devereux, E.、Dillan, Aileen、Carr, J.(2016)。Public and Political Discources of Migration: International Perspectives。Rowman and Littlefield International。 | 18. | Wright, Owen(1992)。Words Without Songs: A Musicological Study of an Early Ottoman Anthology and its Precursors。SOAS press。 | 19. | Wright, Owen(1992)。Demetrius Cantemir: The Collection of Notations, Text。London:School of Oriental and African Studies。 | 20. | Wright, Owen(2011)。Demetrius Cantemir: The Collection of Notations, Volume 2: Commentary。Ashgate。 | 21. | Wright, Owen(2009)。Touraj Kiaras and Persian classical music: an analytical perspective。Ashgate。 | 22. | Wright, Owen(1978)。The Modal System of Arab and Persian Music A.D. 1250-1300。Oxford University Press。 | 23. | Duran, Lucy、Furniss, Graham(1999)。Sunjata, Gambian versions of the Mande epic by Bamba Suso and Banna Kanuteh。Penguin。 | 24. | Kutschke, Beate、Norton, Barley(2013)。Music and Protest in 1968。Cambridge University Press。 | 25. | Norton, Barley(2009)。Songs for the Spirits: Music and Mediums in Modern Vietnam。University of Illinois Press。 | 26. | Clayton, Martin(2000)。Time in Indian Music: rhythm, metre and form in North Indian rag performance。Oxford University Press。 | 27. | Clayton, Martin(2007)。Music, time and place: Essays in comparative musicology。B.R. Rhythms。 | 28. | Howard, Keith(1989)。Bands, Songs and Shamanistic Rituals: Folk Music in Korean Society。Royal Asiatic Society。 | 29. | Howard, Keith、Yun, Chunggang(1990)。The Sounds of Korea: Korean traditional music。Korean Overseas Information Service。 | 30. | Howard, Keith(2006)。Creating Korean Music: Tradition, Innovation and the Discourse of Identity。Ashgate Publishing。 | 31. | Howard, Keith、Lee, Chaesuk、Casswell, Nicholas(2008)。Korean Kayagum Sanjo: A Traiditional Instrumental Genre。Ashgate Publing。 | 32. | Howard, Keith、Kasmambetov, Saparbek(2011)。Singing the Kyrgyz Manas: Saparbek Kasmambetov's Recitations of Epic Poetry。Brill。 | 33. | Widdess, Richard(2013)。Dāphā: Sacred singing in a South Asian city: Music, performance and meaning in Bhaktapur, Nepal。Ashgate Publishing。 | 34. | Howard, Keith(2015)。SamulNori: Korean Percussion for a Contemporary World。Ashgate Publishing。 | 35. | Widdess, Richard(2004)。Dhrupad: tradition and performance in Indian music。Ashgate Publishing。 | 36. | Widdess, Richard(1995)。The rāgas of early Indian music: modes, melodies and musical notations。Oxford University Press。 | 37. | Gray, Nicholas(2011)。Improvisation and composition in Balinese gendér wayang: music of the moving shadows。Farnham:Ashgate Publishing Limited。 | 38. | Merriam, Alan P.(1964)。The Anthropology of Music。Northwestern University Press。 | 其他1. | Smith, Therese(2007)。The beautiful, the broken down and the half-forgotten': songs for singers,Cork:Irish Traditional Music Society。 | 圖書論文1. | Jones, Stephen、Jianzhong, Qiao(1994)。Fieldnotes on folk "Music Associations" in the regions of central Hebei, Beijing and Tianjin。Chinese Music Annual。 | 2. | Devereux, E.、Dillan, Aileen、Power, M.(2011)。And Don't Forget The Songs That Made You Sad and The Songs That Saved Your Life…。Morrissey: Fandom, Representation and Identities。Intellect Books。 | 3. | Devereux, E.、Dillan, Aileen(2011)。Speedway for Beginners: Morrissey, Martyrdom and Ambiguity。Morrissey: Fandom, Representations, Identities。Intellect Press。 | 4. | Devereux, E.、Dillan, Aileen、Power, M.(2015)。Where are we now? Contemporary Scholarship on David Bowie。David Bowie: Critical Perspectives。Routledge。 | 5. | Dillan, Aileen(2016)。Irish Traditional Music Dissemination at the End of the Long Nineteenth Century: Francis O'Neill's Music of Ireland (1903) and the City of Chicago。Knowledge Dissemination in the Long Nineteenth Century。Cambridge Scholars。 | 6. | Dillan, Aileen、Power, M.、Haynes, A.、Devereux, E.、Carr, J.(2016)。Opportunities for Resistance Through Discourse。Public and Political Discources of Migration: International Perspectives。Rowman and Littlefield International。 | 7. | Dillan, Aileen、Power, M.、Haynes, A.、Devereux, E.、Carr, J.(2016)。In the Frame? Discourses of Migration: An Introduction to the Volume。Public and Political Discources of Migration: International Perspectives。Rowman and Littlefield International。 | 8. | Duran, Lucy(2000)。Women, music and the ''mystique'' of hunters in Mali。The African Diaspora: a musical perspective。NY:Garland Publishing。 | 9. | Duran, Lucy(2006)。Mali: gold dust by the river。The Rough Guide to World Music: Africa and the Middle East。Penguin。 | 10. | Duran, Lucy(2015)。Soliyo: song and memory in Mande music。Pieces of the musical world: the study of music in culture。Routledge。 | 11. | Impey, Angela(2005)。Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology in the Dukuduku Forests, Northern KwaZulu Natal。Ethnomusicology: A Contemporary Reader。Routledge。 | 12. | Impey, Angela(2011)。Songs of the In-Between: Remembering in the Land that Memory Forgot。Popular Music and Human Rights, Volume II: World Music。Ashgate Press。 | 13. | Widdess, Richard(1992)。Historical Ethnomusicology。Ethnomusicology: An Introduction。Norton。 | |
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