本文從符號閹割、剩余快感、穿越幻象等三個方面入手,對齊澤克的"快感"范疇進行研究。快感是符號閹割的產物,在認同符號秩序的前提下,只能得到產生于痛苦的剩余快感。當穿越幻象去捕捉快感之際,主體會遭遇死亡驅力。快感給主體的存在提供意義,所以主體期待著被快感愚弄,雖然他總是—已經與快感分離。作為一種悖論性存在,快感與快樂無關,而與閹割、痛苦、死亡等相關。正是在對快感的追尋中,文學藝術找到了自己的版圖。

From symbolic castration, plus-de-jouir and traversing the fantasy, this essay aims at analyzing Slavoj ?i?ek’s key category, jouissance, a product of symbolic castration. The identification of symbolic order can simply lead to plus-de-jouir in pain. Attempting to traverse the fantasy for jouissance, a subject will encounter death drive. While providing meaning for the being of subjects, jouissance is always-already separated from subjects who, in a sense, expect to be fooled by jouissance without pleasure, which is, paradoxically, associated with castration, pain and death. In seeking jouissance, literature finds its own territory.