In Shakespeare’s Cultural Capital, the authors, instead of sticking to the traditional paradigms of literary study, choose to focus on Shakespeare’s economic impact, which provides a unique perspective for the studies of both Shakespeare and cultural economics. It portrays a vivid prospect of a Shakespearean "Industrial Empire" from the aspects of publication, editing, adaptation, advertising, tourism, sponsoring, etc., stereoscopically revealing the mechanism of the inheritance and social reproduction of Shakespeare’s cultural capital in the market context. By introducing literary "cultural capital" into the national cultural discourse, Shakespeare’s Cultural Capital not only opens a new area of research in literary study, but also brings the practical significance of literary capitalization into the grand scope of national soft power.