五四時期,"歌謠體"成為新詩創作的重要來源,作為一種新詩實踐,它在豐富詩歌表現形式的同時,還承載了啟蒙主體的"平民化"訴求。三十年代在左翼文學"大眾化"口號下,中國詩歌會倡導的"新詩歌謠化"又賦予了歌謠體以新興階級話語,在左翼主流話語逐步建構之下,四十年代"歌謠體"新詩漸趨圓熟。通過考察現代文學歷程中"歌謠體"新詩的建構和發展,可以看到左翼文學"場域"對文學話語形式的決定作用和新詩建設中的得失,也會進一步引發對現代漢語詩歌發展方向的有益思索。

During May 4th Movement,New Ballad Poetry became an important source of new poetry creation.As a new practice,it enriched the expression forms of poetry while bearing the"civilian"demands of the enlightening subjects.In the 1930 sunder the slogan of"popularization"of Left-wing literature,New Ballad that was advocated by Chinese Poetry Society was given the discourse of emerging class.Under the successive construction of the Left-wing’ss mainstream discourse,New Ballad Poetry gradually matured in the 1940 s.By examining the construction and development of the new poetry in the history of modern literature,we can see that the"field"of the left-wing literature had a decisive effect on the form of literary discourse as well as the gains and losses in the construction of new poetry,which will further trigger useful thinking about the developing direction of modern Chinese poetry.