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題名:對“昆劇史”寫作模式的省思--重讀陸萼庭先生《昆劇演出史稿》
書刊名:戲劇藝術
作者:李秀偉
出版日期:2017
卷期:2017(4)
頁次:109-116
主題關鍵詞:昆劇演出史稿劇種文人藝人雅俗共賞A History of Kunju PerformancesJuzhongLiteratiActorsAn adjustment between the refined and the common tastes
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《昆劇演出史稿》作為第一部完整的"昆劇史"著作,自出版以來產生了重大的學術影響。"昆劇"可以看作民族戲劇中較高層次的代表,活動主體始終是文人士大夫階層,一向以典雅精致作為最高境界。而該書秉持"劇種"的觀念,推重藝人的貢獻,強調雅俗共賞,可能并不符合歷史上中國傳統戲劇的真實生態;漠視文人士大夫在較高層次的民族戲劇文化中的推動作用,有可能導致"昆劇"喪失自身的文化品格。因此有必要重新省思這樣的"昆劇史"寫作模式。
As the first completed work on the history of kunju, A History of Kunju Performances has shown great impact on academic world in China. Kunju has been considered a high-level traditional Chinese drama, and aims at elegance and delicacy in its performance. It is the shi(literati), rather than the actors, who played the premier roles in kunju activities. However, this book bases its argument on the concept of "juzhong"(genre; different categories of traditional Chinese drama classified according to their regions), disregarding the role that the literati played in the promotion of theatre culture in the high-level society, which perhaps deviated from its true history. It is necessary to reexamine the paradigm of history in order to avoid the loss of kunju’s own cultural characters.
期刊論文
1.洛地(2013)。「四大聲腔」問。南大戲劇論叢,2013(9)。  延伸查詢new window
2.解玉峰(2005)。90年來昆曲研究述評。南京師大學報,2005(1)。  延伸查詢new window
3.趙軼峰(2001)。山人與晚明社會。東北師範大學學報(哲學社會科學版),2001(1),8-16。  延伸查詢new window
圖書
1.陸萼庭(1980)。昆劇演出史稿。上海:上海文藝出版社。  延伸查詢new window
2.陸萼庭(2006)。昆劇演出史稿。上海:上海教育出版社。  延伸查詢new window
3.洛地(2002)。崑:劇.曲.唱.班。西雅圖:藝術與人文科學出版社。  延伸查詢new window
4.沈寵綏(1959)。度曲須知。中國戲劇出版社。  延伸查詢new window
5.洛地(1991)。戲曲與浙江。浙江人民出版社。  延伸查詢new window
圖書論文
1.胡忌(2008)。走向雅部。菊花新曲破。北京:中華書局。  延伸查詢new window
2.陸萼庭(1995)。[清代戲曲家叢考]後記。清代戲曲家叢考。上海:學林出版社。  延伸查詢new window
 
 
 
 
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