斯坦尼斯拉夫斯基體系早在1911年就形成,并開始在莫斯科藝術劇院推行,但是他把這個體系看作是一個開放的體系,不斷地探索和吸收他人經驗,加以修正和發展,在晚年對自己的體系成功地做了一次大幅度的修正和補充,這就是"形體動作方法"的提出和實踐。"形體動作方法"在蘇聯和歐美都引起了關注,怎樣準確地看待這一方法、避免片面性?蘇俄的克里斯蒂、普羅柯菲耶夫、弗拉季米羅娃、丘士金、查哈瓦,以及波蘭的格洛托夫斯基等多名戲劇家和學者的不同詮釋,可以供讀者參考。

Stanislavski’s system was established and began to be practised in the Moscow Theatre in 1911. However, Stanislavski considered it a system open to revisions based on explorations and learning from others. He revised the system on a large scale in his late years, which is the origin as well as application of the "methods of body movement". The methods for body movement caught attention in the Soviet Union, the United States and Europe. How to view the method accurately and unbiasedly? The interpretations of dramatists and scholars, including Christie,Prokofyev, Vladimirovna, Chushkin, Zahawa from the Soviet Union and Growtovsky from Poland could been cousulfed.