劇場昧式即戲劇諸存在者自身及其相互關系在劇場內進行綜合的過程中,以非意識或者無意識方式相互作用所形成的開顯戲劇形態的可能性。在劇場昧式理論中,劇場是一個有限的聚集性世界,它意味著一種有邊界的空間,這就是有限性,是一種限制,限制就是一種約束力,一種能量。但是,邊界的"限制力"也是正能量——聚集力。對此,本文闡述了劇場昧式的基本范疇、作用形式與作用機理。在劇場昧式中,具有四種決定戲劇開顯形式的潛能:劇場格式塔、諸存在者、關系昧式、為他昧式。

The amorphism of theatre means the unconcealed possibilities generated by the non-conscious or unconscious interactions in the synthesizing process of theatrical beings and their relations. According to the theory of the amorphism of theatre, the theatre is a limited world of gathering and it indicates a space with borders, which is in itself a limit with a confining power or an energy. However, the confining power is a positive one — a cohesive force. This paper discusses the basic scope, function, and mechanism of the amorphism of theatre. There are four potentials that decide the unconcealed forms of the amorphism of theatre:the theatrical Gestalt, the beings, the relations, and the altru-amorphism.