| 期刊論文1. | Brooks, P.(1980)。Repetition, Repression, and Return:Great Expectations and the Study of Plot。New Literary History,11(3),503-526。 | 2. | Groys, B.(2011)。Time-based art。RES: Anthropology andAesthetics,59/60,337-341。 | 3. | Shaham, I.(2013)。The Structure of Repetition in the Cinema: Three Hollywood Genres。Poetics Today,34(4),437-518。 | 4. | Shostak, D.(1995)。Plot as Repetition: John Irving's Narrative Experiments。Critique: Studies in Contemporary Fiction,37(1),51-70。 | 圖書1. | 拉約什.埃格里、黃政淵、石武耕(2018)。編劇的藝術。台北:馬可波羅文化。 延伸查詢 | 2. | Block, B.(2013)。The Visual Story: Creating the Visual Structure of Film, TV and Digital Media。Routledge。 | 3. | Egri, L.(1972)。The Art Of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives。Simon and Schuster。 | 4. | Dancyger, K.、Rush, J.、易智言(2014)。電影編劇新論。遠流。 延伸查詢 | 5. | Freud, S.、Strachey, J.(1961)。Beyond the pleasure principle。Penguin Books Canada Ltd。 | 6. | McKee, R.、黃政淵、戴洛棻、蕭少嵫(2014)。故事的解剖:跟好來屋編劇教父學習說故事的技藝,打造獨一無二的內容、結構與風格!。漫遊者。 延伸查詢 | 7. | Ricoeur, P.(2010)。Time and narrative。University of Chicago Press。 | |