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題名:邁向“行吟詩”--評薩拉扎克的現當代戲劇詩學
書刊名:文藝理論研究
作者:趙英暉
出版日期:2020
卷期:2020(2)
頁次:46-56
主題關鍵詞:薩拉扎克行吟詩戲劇性敘事性抒情性Jean-Pierre SarrazacRhapsodyDramaticEpicLyric
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薩拉扎克戲劇思想的核心是一個富含差異又不乏統一的概念——"行吟詩"。薩拉扎克用這個以"縫合"為本意的詞來命名紛繁蕪雜、奇觀異象迭出的現當代戲劇,旨在突出其綜合、自由和異質同一的特質。他把現當代戲劇看作對19世紀末"戲劇危機"的延續和出路探尋,認為在這場由內容變化引發的形式變革中,"戲劇性"與原本在亞里士多德戲劇理論中被排斥的"敘事性"和"抒情性"發生了多重交織與碰撞,傳統戲劇在向"外"和"內"兩個方向的延展中成為了一個不斷自我"開放"的事物。"行吟詩"概念因其對現當代戲劇特征的凝練概括,及對"敘事性"和"抒情性"的重新定義,而在今天的西方戲劇理論界影響巨大。但這個概念中存在一處矛盾,即在反對斯叢狄"敘事性"概念的同時又不自覺地依賴它。
Central to Jean-Pierre Sarrazac’s dramatic thought is "rhapsodie", a concept with united heterogeneities. The original meaning of this word is "stitching," and Sarrazac uses it to definemodern and contemporary theatre, aiming to highlight the characteristics of comprehensiveness, flexibility, and heterogeneous unity. He takes modern and contemporary theatre as a continuation of and an exploration into contemporary theatre after the so-called "theatre crisis" at the end of the 19 th century, and maintains that as theatricality is intertwined with the elements of "epic" and "lyric," once excluded from Aristotelian theatrical theory, traditional theatre has been developing toward an open artform. The concept of rhapsodie is a concise summary of the characteristics of modern and contemporary theatre, and its re-interpretation of "epic" and "lyric" hassignificant influence on contemporary Western theatrical theory. However, the contradiction can be seen in this concept. In its contradiction with the Szondian concept of "epic" is its inescapable reliance on it.
 
 
 
 
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