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題名:卡農模式:論口頭敘事的重復結構
書刊名:文藝理論研究
作者:黃若然
出版日期:2020
卷期:2020(2)
頁次:170-184
主題關鍵詞:口頭文學民間故事敘事學卡農復調Oral traditionFolktaleNarratologyCanonPolyphony
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文學敘事中散見重復現象,呈現為差異性與重復律互融的異質同構。出于口頭文學固有的音樂性及其與復調相通的織體思維,卡農模式普遍地滲入口頭散韻體裁作品的組編機制,并以時間性"模仿"和空間性"對位"的基本原則來構成重復敘事。在單一文本和不同文本之間,卡農模式可按情節的走向被分為同向的平行卡農、反向的倒影卡農和回環的無終卡農,前兩種模式可依據人物、事件和結果的異同而區分出Ⅰ、Ⅱ、Ⅲ、Ⅳ的亞型,各個類型多向度地交叉共存。卡農的重復模式有助于理解和建構口頭敘事的演述程式,在探尋文本規則之余也昭示著民間文學與音樂學互通的跨學科研究路徑。
Repetition scatters in narrative, and it shows the heterogeneous isomorphism with differences integrated with repetitions. Due to the shared textuality thinking between inherent musicality of oral literature and polyphony, canon model with its contrapuntal compositional technique is universally found in the compositional mechanism of oral literature, and creates a narration of repetition based on imitation under temporal principle and counterpoint under spatial principle. Within a single text and across multiple texts, canon model may take the forms of parallel canon, mirror canon and endless canon based on the development of plot. The former two forms can further be divided into subtypes Ⅰ, Ⅱ, Ⅲ and Ⅳ based onconfigurations of characters, events and results, with the subtypes overlapping in different dimensions. The repetitive mode in canon composition sheds light to the understanding and construction of conventional performance structure of oral literature, and apart from exploring the compositional principles, it also points to the interdisciplinary research on folk literature and musicology.
 
 
 
 
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