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題名:論江戶詩壇對江西詩派的接受--兼談此期唐宋詩之爭的本質
書刊名:文藝理論研究
作者:何振
出版日期:2018
卷期:2018(4)
頁次:103-111
主題關鍵詞:日本詩話江戶詩壇唐宋詩之爭江西詩派黃庭堅Japanese poetry notesEdo poetry circleThe controversy over the Tang and Song poetryJiangxi poetry schoolHuang Tingjian
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以往學者有關江戶時期日本詩壇唐宋詩之爭的研究,多注重二者在詩風、詩論不同方面的比較。然而通過考察日本江戶詩壇流行的詩話、漢籍的刊刻、對中國詩人的接受以及具體的漢詩創作等方面,可以發現日本江戶詩壇唐宋詩之爭"貌殊神合"的本質,即對"主情"的唐詩的偏尚以及對江西詩派的拒斥,從中亦可以看出日本文化對中國文化的選擇性以及日本江戶詩壇的本土化特性。
In the past,scholars paid more attention to the comparison of poetic style and theory when dealing with the controversy of the Tang and Song poems in the poetry circle of the Edo period. However,by investigating the popular poetry notes of Edo in Japan,the publication of Chinese books,the reception of Chinese poets and the creation of Chinese poems,etc.,one can find the essence of the controversy over the Tang and Song poems in the Edo poetry circle,namely,the preference for the "lyrical"Tang poetry and the rejection of Jiangxi poetry school. One can also find the Japanese culture’s selectiveness to Chinese culture and the local characteristics of the Japanese Edo poetry.
 
 
 
 
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