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題名:復調小說與復調音樂
書刊名:文藝理論研究
作者:錢浩
出版日期:2018
卷期:2018(4)
頁次:196-206+130
主題關鍵詞:巴赫金復調小說復調音樂對話性對位BakhtinPolyphonic novelPolyphonic musicDialogismCounterpoint
原始連結:連回原系統網址new window
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巴赫金定義的"復調小說"與西方復調音樂之間既有某種共性,也存在許多重大差別,例如交鋒與和諧、多元與一元、對峙與模仿、未完成性與完滿收束以及時代背景的不同等許多方面。了解這些差異,以及音樂上的"對位""多調性"等概念,會有助于避免相關術語的跨學科誤用。相比于"復調",能和"獨白型小說"構成恰切對應的術語也許是"對話型小說",因為"對話"不僅是巴赫金詩學體系的核心,能涵蓋"復調"一詞所想表達的各種內含,也是他所定義的復調小說的本質特征。判斷一部小說是否是巴赫金意義上的復調小說,有無"對話性"是首要標準。
Besides some similarity,there are many differences between Bakhtin’s ‘Polyphonic Novel’and Western polyphonic music,for example conflict and harmony, pluralism and monism, confrontation and imitation, incompletion and perfect termination,historical background and many other aspects. Realization of these,and some concepts like counterpoint and bitonality in musical senses,will help us avoid interdisciplinary misusing of these terms. Compared to‘polyphonic’,‘dialogical novel’may be the more suitable antonym of ‘monologic novel’,because ‘dialogue’,which can include various meanings that the term ‘Polyphony’wants to express,is not only the core of Bakhtin’s poetics,but also the essential feature of the‘Polyphonic Novel’which he defined. In addition,the most important standard for the judgement of a novel as to whether or not it belongs to‘Polyphonic Novel’as defined by Bakhtin’s is whether a novel has‘dialogue’.
 
 
 
 
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