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題名:科爾代斯戲劇獨白的跨體裁性
書刊名:外國文學研究
作者:趙英暉
出版日期:2019
卷期:2019(3)
頁次:108-116
主題關鍵詞:獨白戲劇性敘事性抒情性MonologueDramaticismNarrativismLyricism
原始連結:連回原系統網址new window
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獨白歷來被認為是戲劇中不那么"戲劇性"的因素,科爾代斯卻對這種邊緣的戲劇話語形式情有獨鐘,在劇作中大量使用獨白,并創造性地發展了獨白的戲劇性、敘事性、抒情性。戲劇的與非戲劇的文學體裁屬性在科爾代斯的戲劇獨白中交織、碰撞,改變了戲劇沖突的方式、戲劇展示的方式和戲劇人物的存在方式,戲劇因而成為了包容異質因素又不乏統一性的現代"行吟詩",具有跨體裁的無限可能性的獨白蘊含著戲劇突破自身舊有框架而實現自我解放的可能性。
Monologue has always been considered as a less dramatic element in drama. But Koltès has a keen interest in monologue and uses it heavily in his plays. Moreover, he is quite creative in maximizing its dramatic, narrational and lyric effect. The immersion and collisions between dramatic and non-dramatic attributes in Koltès’ s monologues brought about a clear change in the representation of dramatic conflict, the development of plot, and the existence of dramatic characters, thus turning drama into a modern "rhapsody" that contains heterogeneous elements but still retain its uniformity. Thanks to its unlimited cross-generic possibilities, Koltès’ s use of monologues shows that drama does have a great potential to break through its old conventions for a full self-liberation.
 
 
 
 
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