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題名:論契訶夫的獨幕劇創作
書刊名:戲劇藝術
作者:彭濤
出版日期:2020
卷期:2020(2)
頁次:24-34
主題關鍵詞:契訶夫獨幕劇通俗笑劇悲喜劇ChekhovOne-act playPopular comedyTragicomedy
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契訶夫的獨幕劇創作是其戲劇創作的重要組成部分,其中,一部分是通俗笑劇,多數由其本人的短篇小說改編而來。另一部分獨幕劇則可納入悲喜劇的范疇。從小說家到戲劇家,契訶夫做的事情不僅僅是對小說進行改寫,更是一種戲劇觀念的革新。契訶夫的獨幕劇創作繼承了果戈理、薩爾蒂科夫—謝德林、亞·奧斯特洛夫斯基的戲劇傳統,發展出自己獨特的美學風格,特別是《在大路上》一劇,已經具備了一種多聲部復調戲劇的美學特征。
Chekhov’s plays are mainly composed of one-act plays,of which some are popular comedies adapted mostly from his short stories,and others are classified as tragicomedies. From a short story writer to a playwright,Chekhov not only rewrote his stories,but also innovated the concept of theater. Inheriting the play tradition from Gogol,Saldikov Sedlin and Alexander Ostrovsky,he developed a unique aesthetic style in his one-act plays,which is especially obvious in his play On the High Road that has already shown the aesthetic characteristics of a polyphonic play.
 
 
 
 
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