音樂與政治的關系,亙古至今,都是一個不可忽視的客觀真實。苗族祭祀儀式與音樂豐富多樣,具有明顯的社會教化功能,同時,音樂的使用范圍、使用階層、使用場所反映了鄉村權力運作的邏輯,并借此在日常生活的潛移默化中實現了強化等級的社會功能,了解這一苗族地區鄉村權力運作體系,為構建和諧社會和多民族和諧共處提供了文化和藝術的視角。

The relationship between music and politics is a inevitable truth from thousands years ago to nowadays.They,as well as the music,have many kinds of forms,and operate as moralizing rules. Meanwhile,the use of range,hierarchy, and location reveals the logic of rural village’ s operating of politic power. Through this process, its social function is enforced. Knowing this operating system will offer us a cultural and article perspective to construct a harmonious society,where multi-ethnic groups would get on well with each other.