新時期蒙古族小說繼承了歷史以及文學傳統中"婚姻與民族"的隱喻象徵意義,以跨族婚戀敘事表達民族混血和文化融合的祈願;現實族群差異往往被作者處理成跨族婚戀的阻力,隱含著作者對族際互動的文化主體性和平等地位的思考;跨族婚戀小說是對歷史上中華多民族間"分而不裂、融而未合"的文化親緣關系的一種性別化、情感化重構,承載著"差異探索"與"文化融合"的雙重話語規約,如何在充分掌握民族源發性與動態性差異的基礎上形成超越差異的"文學-文化"建構,成為蒙古族小說創作實現高品質突破的關鍵。

Mongolian fictions of the new era inherit the metaphoric significance of "marriage and the nation"in Mongolian history and literary tradition. They express the wish for ethnic mixture and cultural integration through the narration of cross-ethnic marriage. The reality of ethnic differences are often treated as the resistance against cross-ethnic marriage,which implies the authors thinking of cultural subjectivity and equality of ethnic interaction. Cross- ethnic romance is a gender and emotional reconstruction of the Chinese diversified ethnic cultural kinship characterized by "dividing without cracking,and fusing without integrating"which carries a double- discourse statute between "difference exploration"and "cultural fusion". Therefore,how to construct "literature-culture " beyond differences on the basis of fully grasping ethnic original and dynamic differences becomes a key to achieving a breakthrough in Mongolian novels.