通過文學和文藝發生過程,以貴州民俗事象與樹木興象為例,探討"興"的本真原生形態,可知當巫的意識逐漸變淡,民俗傳承逐漸變化,其裸露的文學性的詞語由此而顯現,作為"興"的事物的審美價值便也逐漸凸現了出來,"興"于是化為主體的審美對象,在主客互動中上升為意象,并給人以愉悅的藝術享受,有否"象下之義"與是否"無所取"無一定通論。"興"的儀式發生探討,有助于找出中華民族的整體精神心理素質的內在淵源,了解不同文化傳承的共同點與特色各具的差異

Through the exploration of ceremony embryology taking a perspective investigation of the original form,and in terms of the cases of the association of Trees and folk activities in Guizhou, we could see that when the historical consciousness gradually fades,folk activities change gradually,the bare literary words there out appear. As the characteristic of a history,Xing helps to understand the cultural continuity