This essay intends-through the author’s more than 10 years’ experience in hosting “Project of the First Three Years for Major Race Artists to Pass on their Arts” sponsored by Ministry of Education, “Comprehensive Plans for Maintaining and Passing on Folk Arts” sponsored by Council for Cultural Affairs, and “Project of Compilation of the Best Parts of the National Literary Festival” and first hand experiences in dealing with domestic cultural affairs and traditional arts and case studies-to make comparisons between the Chinese and the Japanese Cultural Asset Laws, particularly with profound analyses in the fields of folk arts, customs and their related objects, hoping to find the cause of past problems in order to establish a better system, with which “Traditional Arts” can be maintained longer and “the Passing on” goes on forever.