Human emotion can be symbolized in many ways, including dots, lines, geometric shapes, colors, pictures, buildings and even moving images created by modern technology. All of these are legitimate objects of the research and analysis which produces design theory. The modern designer must be able to grasp with precision the significance and communicative power of symbols, and more importantly, to respond to the spirit of this times. The symbols in an artistic design have many possibility of being organized in different ways into a whole. When we deconstruct the whole, or design something in a different space or time, or use a different design technique, the creation can produce different massages of different strengths. When a designer designs something, his thinking may enrich the existing connotations of symbols within it so that the deep meaning of those symbols can be deduced by the audience and the artistic creation may achieve a more enduring status. Discussion of design theory is actually engagement is philosophical thought. In the present age, “design philosophy” is deeply influenced by philosophical theory, especially in real artistic creation which differs from simplistic readings. This leads to one kind of postmodernism theory-visional experience. This article attempts to apply postmodernism theory-visional experience. This article attempts to apply postmodern philosophical theory to “text”. It explains contemporary design, especially artistic design, in an attempt to reveal the revolutionary nature of art history and to show the multiple forms that artistic designs can take, from games to merchandise to pure abstract design.