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Discourse of Tabla Players。Discourses in Music，2(2)。 | | 18. | Merriam, Alan P.(1977)。Definitions of "Comparative Musicology" and "Ethnomusicology": An Historical-Theoretical Perspective。Ethnomusicolog，21(2)，189-204。 | | 19. | Martinez, Jose Luiz.(1996)。Icons in Music: A Peircian rationale。Semiotica，110(1/2)，57-86。 | | 20. | Martinez, Jose Luiz(2002)。Semiotics and the Art music of India。Music Theory Online，6(1)。 | | 21. | McLeon, Norma(1971)。The Semantic Parameter in Music: The Blanket Rite of the Lower Kutenai。Yearbook for Inter-Amenrican Musical，7，83-101。 | | 22. | Monelle, Raymond(2000)。Martinez's Concept of "Intrinsic Semiosis"。Music Theory Online，6(2)。 | | 23. | Nattiez, Jean(1975)。Fundements d'une semiology de la musique。Perspectives of New Music，15(2)，226-233。 | | 24. | Nattiez, Jean(1983)。Some Aspect of the Study of Inuit Vocal Games。Ethnomusicology，27(3)，457-475。 | | 25. | Nattiez, Jean、Ellis, Katharine(1989)。Reflections on the Development of Semiology in Music。Music Analysis，8(1/2)，21-75。 | | 26. | Nattiez, Jean(1999)。Inuit Throat-Games and Siberian Throat Singing: A comparative, Historical, and Semiological Approach。Ethnomusicology，43(3)，399-418。 | | 27. | Nettl, Bruno(1958)。Some Linguistic Approaches to Musical Analysis。Journal of the International Folk Music Council，10，37-41。 | | 28. | Nylund, Heikki(1983)。Syntactic Structures of North Indian ragas。The World of Music，25(2)，45-57。 | | 29. | Pekkila, Erkki(1986)。Ideal Patterns in the Finnish jouksuvalssi: A Paradigmatic Segment Analysis。Semiotica，66(1/3)，299-314。 | | 30. | Powers, Harold S(1976)。The Structure of Musical Meaning: A View from Banaras (A Metamodal Model for Milton)。Perspectives of New Music，14(2)，308-334。 | | 31. | Prociuk, Paula(1981)。The Deep Structure of Ukrainian Hardship Songs。Yearbook for Traditional Music，13，82-96。 | | 32. | Roseman, Marina(1984)。The Social Structuring of Sound: The Temiar of Peninsular Malaysia。Ethnomusicology，28(3)，411-45。 | | 33. | Roche, David(20002001)。The "Dḩāk", Devi Amba's Hourglass Drum in Tribal Southern Rajasthan, India。Asian Music，32(1)，59-99。 | | 34. | Ruwet, Nicolas、Everist, Mark(1987)。Methods of Analysis in Musicology。Music Analysis，6(1/2)，3-9+11-36。 | | 35. | Tagg, Philip(1987)。Musicology and the Semiotics of Popular Music。Semiota，66(1/3)，279-298。 | | 36. | Tsuge, Gen'ichi(1983)。Raiment of Traditional Japanese Musicians--Its Social and Musical Significance。The World of Music，25(1)，55-67。 | | 37. | Powers, Harold S(1976)。The Structure of Musical Meaning: A View from Banaras (A Metamodal Model for Milton)。Perspectives of New Music，15(1)，308-334。 | | 38. | Turino, Thomas(1999)。Signs of Imagination, Identity and Experience: A Peircian Semiotic Theory for Music。Ethnomusicology，43(2)，221-255。 | | 39. | Walker, Margaret(2001)。A Response to Lowell Lybarger’s ‘On Musicians’ Speech about Music: Musico-linguistic Discourse of tabla Players。Discourses in Music，3(1)。 | | 40. | Wang, Ying-fen(1992)。The ‘Mosaic Structure' of Nanguan Songs: An Application of Semiotic Analysis。Yearbook for Traditional Music，24，24-51。 | | 41. | Du, Yaxiong(2003)。Roundness--the Symbol of Beauty: a Semiotic Study of Percussion Music in Beijing Opera。Chinese Music，26(1)，10-12。 | | 42. | Du, Yaxiong(2003)。Roundness--the Symbol of Beauty: a Semiotic Study of Percussion Music in Beijing Opera。Chinese Music，26(2)，36-40。 | 學位論文| 1. | Balliger, Robin(2001)。Noisy spaces: Popular music consumption, social fragmentation, and the cultural politics of globalization in Trinidad(-)。Stanford University。 | | 2. | Clark, Susan Dorothy(1994)。Orientations in Ethnomusicological Analysis: An Exploration of Structuralist Thrones(博士論文)。UCLA。 | | 3. | Cornell, Diane E(2001)。The Performance of Gender: Five Comparative Biographies of Women Performers in Musica Popular Chilena (Margot Loyola, Rebeca Godoy, Javier a Parra, Cecilia, Nicole)(博士論文)。University of Illinois at Urbana-Champaign。 | | 4. | Denney, Martha Jane(2001)。A Social Semiotics of Music(博士論文)。Brandeis University。 | 圖書| 1. | Tarasti, Eero(1999)。Snow, Forest, Silence: the Finnish Tradition of Semiotics。Bloomington：Indiana University Press。 | | 2. | Tarasti, Eero(2002)。Signs of Music: A Guide to Musical Semiotics。New York：Walter de Gruyter。 | | 3. | Agawu, Victor Kofi、Cook, Nicholas、Everist, Mark(1999)。The Challenge of Semiotics。Oxford：Oxford University。 | | 4. | Arom, Simha(1985)。Polyphonies et polyrythmies instrumentals d'Afrique centrale: Structure et methodologie。Paris：SELAF。 | | 5. | Chandola, Anoop(1977)。Folk Drumming in the Himalayas: a Linguistic Approach to Music。New York：AMS Press。 | | 6. | Chenoweth, Vida(1979)。The Usarufas and Their Music。Dallas：SIL Museum of Anthropology。 | | 7. | Cumming, Naomi(2000)。The Sonic Self: Musical Subjectivity and Signification。Bloomington：Indiana University Press。 | | 8. | Gottdiener, Mark、Boklund-Lagopoulou, Karin、Lagopoulos, Alexandros(2003)。Semiotics。Thousand Oaks, Calif：SAGE。 | | 9. | Lidov, David(1999)。Elements of Semiotics。New York：St. Martin's Press。 | | 10. | Martinez, Jose Luiz(1997)。Semiosis in Hindustani。Helsinki：Acta Semiotica Fennica。 | | 11. | Monelle, Raymond(2000)。The Sense of Music: Semiotic Essays。Princeton, N.J.：Princeton University Press。 | | 12. | Monelle, Raymond(1992)。Linguistics and Semiotics in Music。Switzerland：Harwood Academic Publishers。 | | 13. | Nattiez, Jean-Jacques、Abbate, Carolyn(1990)。Music and Discourse: Toward a Semiology of Music。Princeton, New Jersey：Princeton University Press。 | | 14. | Reiner, Thomas(2000)。Semiotics of Musical Time。New York：Peter Lang Pub。 | | 15. | Stefani, Gino(1976)。Introduzione alia semiotica della musica。Palermo：Sellerio。 | | 16. | Stefani, Gino(1982)。La competenza musicale。Bologna：Cooperativa Libraria Universitaria Editrice。 | | 17. | Tarasti, Eero(1979)。Myth and Music: a Semiotic Approach to the Aesthetics of Myth in Music。The Hague：Mouton。 | | 18. | Tarasti, Eero(1994)。A Theory of Musical Semiotics。Bloomington：Indiana University Press。 | | 19. | Tarasti, Eero(1995)。Musical Signification: Essays in the Semiotic Theory and Analysis of Music。New York：Mouton de Gruyter。 | | 20. | Tarasti, Eero(1996)。Musical Semiotics in Growth。Bloomington：Indiana University Press。 | | 21. | Tarasti, Eero(2003)。Musical Semiotics Revisited。Helsinki：International Semiotics Institute。 | | 22. | Tokumaru, Yosihiko、Yamaguti, Osamu(1986)。The Oral and the Literate in Music。Tokyo：Academia Music。 | | 23. | Zannos, Ioannis(1999)。Music and Signs: Semiotic and Cognitive Studies in Music。Bratislava：ASCO Art and Science。 | | 24. | 李幼蒸(1999)。理論符號學引論。中國北京：社會科學文獻出版社。 延伸查詢 | | 25. | Morris, Charles William(1938)。Foundations of the Theory of Signs。Chicago：The University of Chicago Press。 | | 26. | Blacking, John(1973)。How Musical is Man?。University of Washington Press。 | | 27. | Nettl, Bruno(1983)。The Study of Ethnomusicology: Twenty-Nine Issues and concepts。University of Illinois Press。 | | 28. | Feld, Steven(1982)。Sound and Sentiment: Birds, Weeping, Poetics and Song in Kaluli Expression。Philadelphia：University of Pennsylvania Press。 | | 29. | Merriam, Alan P.(1964)。The Anthropology of Music。Northwestern University Press。 | | 30. | Agawu, Victor Kofi(1991)。Playing with Signs: A Semiotic Interpretation of Classic Music。Princeton：Princeton University Press。 | 其他| 1. | Porter, James(1995)。New Perspectives in Ethnomusicology: A Critical Survey，http://www.sibetrans.com/trans/transl/porter.htm。 | | 2. | Tagg, Philip(1999)。Introductory Notes to the Semiotics of Music，http://tagg.org/xpdfs/semiotug.pdf。 | 圖書論文| 1. | Blacking, John(1981)。The Problem of 'Ethnic’ Perceptions in the Semiotics of Music。The Sign in Music and Literature。Austin：University of Texas Press。 | | 2. | Becker, Judith(1979)。Time and Tune in Java。The Imagination of Reality。Ablex pup, Corp.。 | | 3. | Martinez, Jose Luiz.(1996)。Musical Semiosis and the Rasa Theory。Musical Semiotics in Growth。Bloomington：Indiana University Press。 | | 4. | McCreless, Patrick(1998)。Semiotics and Music: An End-of-century Overview。Musikkonzepte - Konzepte der Musikwissenschaft: Bericht uber den Internationalen Kongres der Gesellschaft fur Musikforschung Halle (Saale)。Kassel：Barenreiter Verlag。 | | 5. | Pekkila, Erkki(1999)。Ethnomusicology and Media Reality。Snow, Forest, Silence: the Finnish Tradition of Semiotics。Bloomington：Indiana University Press。 | | 6. | Sakato, Shin-Ichi、Tsurumi, Mari、Zannos, Iannis(1999)。Playing Techniques and Notation of the Chinese Long Zither Ch’in。Music and Signs: Semiotic and Cognitive Studies in Music。Bratislava：ASCO Art and Science。 | | 7. | Tarasti, Eero(1984)。Towards a Structural Semantics of Music: Reflections on the Logic of Musical Discourse。Semiotics Unfolding。Berlin：Mouton。 | | 8. | Tarasti, Eero(1999)。Jean Sibelius as an Icon of the Finns and Others: an Essay in Post-colonial Analysis。Snow, Forest, Silence: the Finnish Tradition of Semiotics。Bloomington：Indiana University Press。 | | 9. | Becker, Judith、Becker, Alton(1981)。A Musical Icon: Power and Meaning in Javanese Gamelan Music。The Sign in Music and Literature。Austin：University of Texas Press。 | |