本文旨在以列斐伏爾的「零度空間」與日常節奏分析為主軸，以及從此主軸衍生等相關討論與「生三成異」概念，考察網路空間的零度化現象，以「程式語法－重複動作－精神姿態」三個概念節點作為中樞文義佈署，探究網路空間日常重複動作如何藉由二值化類語言結構、身體動作的重複操所生產的「精神姿態」，成為抵抗系統化、「生三成異」動能。首先論述列斐伏爾如何藉由羅蘭‧巴特零度書寫概念轉向為零度空間的論式，視為反抗日常恐怖主義的實踐場域，以及其如何延伸為指向生三成異的「彼外」空間。接續分析二值化類語言與身體動作的重複性，透過馬場馬術的概念，指出動作如何經由重複轉變為姿勢節奏，進而成為抽象象徵，闡述日常節奏為某種在重複內的運動和差異，最後以此節奏差異所生成的精神姿態，分析網路作品中身體與程式重複如何驅向生成某種擾亂生態之流，達至「生三成異」動能的可能。

This paper studies the attributes of zero-point cyberspace using Lefebvre’s concepts of “zero-point space” and rhythm analysis discourse as its central structure. The paper further elaborates on the concept “Thirding-as-Othering”, which has evolved from the previous two concepts. Using the three theoretical elements “Programme-RepeatAction-Gesture” as context nodes, the authors point out how the binary numeral system, body positions, and continual repetition of movement have become a spiritual gesture producing the kinetic energy of “Thirding-as-Othering” and turning it into an anti-systematic force. Following is examined how the concept of Lefebvre’s “zero-point space”, elaborated from Roland Barthes’ “zero-point writing”, creates a field of cultural revolution and practice space for everyday life, and how it extends into “Thirding-as-Othering” and then into the "other-than" space. After is discussed how binary programming language, continual repetition of body movements, and the rhythm of work, have become an abstract spiritual gesture. Finally, in analyzing net artworks by re-engaging them from the perspective of “Thirding-as-Othering”, we present the energy possibilities within zero-point cyberspace.