| 期刊論文| 1. | Nora, Pierre、Roudebush, Marc(1989)。Between Memory and History: Les Lieux de Mémoire。Representations，26，7-24。   | | 2. | Schleiner, A.-M.(2003)。Curation fluidities and oppositions among curators, filter feeders, and future artists。Intelligent Agent，3(1)。 | | 3. | Petitier, P.(1989)。Les Lieux de mémoire, sous la direction de P. Nora。Romantisme，63，103-110。 | | 4. | Hjerppe, R.(1994)。A framework for the description of generalized documents。Advances in Knowledge Organization，4，173-180。 | | 5. | Elings, M. W.、Waibel, G.(2007)。Metadata for all: Descriptive standards and metadata sharing across libraries, archives and museums。First Monday，12(3)，1-11。 | | 6. | Buckland, M.(2012)。What kind of science can information science Be?。Journal of Information Science and Technology，63(1)，1-7。 | 圖書| 1. | Nora, Pierre、黃豔紅、孫江(2015)。記憶之場：法國國民意識的文化社會史。南京：南京大學出版社。 延伸查詢 | | 2. | Nora, Pierre、戴麗娟(2012)。記憶所繫之處。行人文化實驗室。 延伸查詢 | | 3. | Nora, S.、Minc, A.(1980)。The Computerization of Society。Cambridge MA：MIT Press。 | | 4. | Möntmann, N.(2006)。Art and Its Institutions: Current Conflicts, Critique, and Collaborations。London：Black Dog。 | | 5. | Marincola, P.(2007)。What Makes a Great Exhibition?。Chicago：University of Chicago Press。 | | 6. | Lyotard, J.-F.(1984)。The Postmodern Condition。Minneapolis：University of Minnesota Press。 | | 7. | Locker, P.(2011)。Conception d'Exposition。PYRAMYD。 | | 8. | Kalay, Y. E.(2008)。New heritage: New Media and Cultural Heritage。London：New York：Routledge。 | | 9. | Gillick, L.、Lind, M.(2005)。Curating with Light Luggage。Frankfurt：Revolver, Kunstverein Munchen。 | | 10. | Gere, C.(2006)。Art, Time and Technology。Oxford：New York：BERG。 | | 11. | Burnham, Jack(1968)。Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of This Century。George Braziller。 | | 12. | Bereday, George Z. F.(1964)。Comparative Method in Education。Holt, Rinehart & Winston。 | 其他| 1. | Dietz, S.(1997)。Curating (on) the web，http://www.archimuse.com/mw98/papers/dietz/dietz_curatingtheweb.html。 | | 2. | Biggs, S.(20010604)。Subject: R: immaterial semiotics。 | 圖書論文| 1. | Nicks, J.(2001)。Curatorship in the Exhibition Planning Process。The Manual of Museum Exhibitions。Altamra。 | | 2. | Lyotard, J.-F.(1996)。Les Immatériaux。Thinking about Exhibitions。New York：London：Routledge。 | | 3. | Lind, M.(2007)。The collaborative turn。Taking the Matter into Common Hands: On Contemporary Art and Collaborative Practices。London：Black Dog Publishing。 | | 4. | Krysa, J.(2006)。Curating immateriality: The work of the curator in the age of network systems。Curating Immateriality: The Work of the Curator in the Age of Network systems。London：Autonomedia。 | | 5. | Hui, Y.、Broeckmann, A.(2015)。[30 Years after Les Immatériaux] Introduction。30 Years after Les Immatériaux。Meson Press。 | | 6. | Gere, C.(2005)。Jack Burnham and the work of art in the age of real-time systems。Get Real: Real Time + Art + Theory + Practice + History。New York：Braziller。 | | 7. | Nora, Pierre、黃豔紅(2015)。記憶與歷史之間：場所問題。記憶之場：法國國民意識的文化社會史。南京：南京大學出版社。 延伸查詢 | |