林群盛是台灣1987年後崛起的科幻詩人，突破陳克華、林燿德文學壁壘，形塑清新、柔軟的科幻風格。本文將從「星球」書寫作為切入點，探討林群盛以大量星球詞彙入詩所產生的科幻語境，其語言、修辭、結構、抒情等經營方式，並援引學者正反看法，重新評價他的詩作。林群盛以星球譬喻、擬人、擬物、意象主導，配以口白、動作、文字排列，熱鬧繽紛彷彿小王子的遊樂園，並加重了詩的抒情體驗。林群盛吸收日本動漫元素，利用星球時空搭建自我的微型宇宙，將自己藏在其中，對現實似乎極為不耐，反而耽溺於星球旋律與光芒，如同詩人追尋心中的美和摯愛，在幻想世界內對地球抱持熱切的依戀及柔性的關懷。

Lin Qun-Sheng (林群盛) is a science fiction poet who became famous after 1987 in Taiwan. He broke through the literary barrier of Chen Ke-Hua (陳克華) and Lin Yao-De (林燿德), and shaped his fresh and soft style of science fiction. This article investigates the “planet” writing style as a breakthrough point to observe how Lin Qun-Sheng (林群盛) incorporated variable terms into his poems to construct the science fiction context. In addition, his operation of language, rhetoric, structure and lyricism, as well as quotes from positive and negative views of researchers are examined to reevaluate his poems. Lin Qun-Sheng’s (林群盛) use of planet metaphors and imagery leading via words, actions, and word arrangements, made his poems lively and colorful, similar to the worlds of the Little Prince, which enhanced the lyrical experiences of his poems. Lin Qun-Sheng (林群盛) absorbed elements of Japanese animation, and hid himself in his mini-universe constructed by planet space-time. It seems as though he was very intolerant of reality, but indulged in planet melody and light, just like the poetry looks for the beauty and love in his heart. Moreover, his work captures his enthusiastic love and soft care of the Earth in his fantastic world.