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來源文獻資料
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引文資料
題名:
Ecological Time in Hayao Miyazaki's Nausicaä of the Valley of the Wind
書刊名:
NTU Studies in Language and Literature
作者:
鄭如玉
作者(外文):
Cheng, Catherine Ju-yu
出版日期:
2017
卷期:
38
頁次:
頁75-100
主題關鍵詞:
宮崎駿
;
德勒茲
;
柏格森
;
生態時間
;
虛擬過去
;
永恆回歸
;
重複
;
差異
;
Hayao Miyazaki
;
Gilles Deleuze
;
Henri Bergson
;
Ecological time
;
Virtual past
;
Eternal return
;
Repetition
;
Difference
原始連結:
連回原系統網址
相關次數:
被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
排除自我引用:0
共同引用:0
點閱:4
Hayao Miyazaki's Nausicaä of the Valley of the Wind depicts two ways for humans to relate to nature and time. Nausicaä, princess of the Valley of the Wind and the film's protagonist, is initiated into ecological time and becomes the saviour of the world because of her sympathy, empathy, and love for others, including the Ohms- giant insects. On the other hand, Kushana, the princess of Tolmekia, after losing one arm to the giant insects, is determined to use weapons and the remaining Giant Warrior to save/control the world. She treats both the Ohms and their realm, the Sea of Decay, as enemies; she tries to destroy them for the sake of human beings. Locked into the temporality of her technological world, Kushana sees only practical connections; for example, she is influenced by the practical uses of technology and so she uses the Giant Warrior to conquer nature, rather than following the rhythm of nature. These differences point to two kinds of worldviews embodied by Nausicaä and Kushana, respectively. My paper attempts to explore how Nausicaä's active waiting establishes a new symbiotic relationship with the Ohms and their lands, the Sea of Decay, and also allows her to embody the ancient prophecy by incorporating it into the present fate of the world to trigger a new future. I turn to Deleuze's philosophy of time to help explain how Nausicaä's mode of repetition and waiting initiates her into ecological time, how the film provides lessons on preventing the tyranny of doomed repetition and not falling into the trap of the foreseeable future. The paper also uses Deleuze's theory to explain how Miyazaki creates a new human-nonhuman relationship. Nausicaä of the Valley of the Wind reflects our bleak situations, continuously damaged by military and ecological cataclysms, and shows us how to remedy the destroyed human-nonhuman relationship. Nausicaä's jump into ecological time and symbiotic relationship with other beings demonstrate that it is possible to avoid replicating Kushana's competitive and technological way of life and to coexist with different beings, a new ecological strategy
以文找文
期刊論文
1.
Grosz, Elizabeth(2005)。Bergson, Deleuze and the Becoming of Unbecoming。Parallax,11(2),4-13。
2.
Chisholm, Dianne(2007)。Rhizome, Ecology, Geophilosophy。Rhizomes: Cultural Studies in Emerging Knowledge,15。
3.
Bryce, Mio、Stephens, John(2003)。Japanese Popular Culture and Character Fashioning: The Quest for Subjective Agency in the Animated Films, Nausicaä of the Valley of the Wind and Perfect Blue。International Journal of the Humanities,1,311-321。
4.
Akimoto, Daisuke(2014)。Learning peace and coexistence with nature through animation: Nausicaä of the Valley of the Wind。Ritsumeikan Journal of Asia-Pacific Studies,33,54-63。
5.
DeWeese-Boyd, Ian(2009)。Shojo Savior: Princess Nausicaä, Ecological Pacifism, and the Green Gospel。Journal of Religion and Popular Culture,21(2),1-13。
6.
Simpson, B. Thomas(2005)。Ecological Restoration and Re-understanding Ecological Time。Ecological Restoration,23(1),46-50。
7.
Ross, Daniel(2011)。Translator's Introduction to Bernard Stiegler's ‘Pharmacology of Desire: Drive-Based Capitalism and Libidinal Dis-economy。New Formations,72,150-161。
8.
Reynolds, Jack(2004)。Derrida and Deleuze on Time, the Future, and Politics。Borderland,3(1)。
9.
Osmond, Andrew(1998)。Nausicaä and the Fantasy of Hayao Miyazaki。Foundation,72(1),57-81。
10.
Napier, J. Susan(2012)。The Anime Director, the Fantasy Girl and the Very Real Tsunami。The Asia-Pacific Journal/Japan Focus,10(11)。
圖書
1.
Deleuze, Gilles、Tomlinson, Hugh、Habberjam, Barbara(1988)。Bergsonism。New York:Zone。
2.
Latour, Bruno、Porter, Catherine(2004)。Politics of Nature: How to Bring the Sciences into Democracy。Harvard University Press。
3.
Hayden, Patrick(1998)。Multiplicity and Becoming: The Pluralist Empiricism of Gilles Deleuze。New York:Peter Lang。
4.
Morton, Timothy(2009)。Ecology without Nature: Rethinking Environmental Aesthetics。Harvard University Press。
5.
Williams, James(2011)。Gilles Deleuze's Philosophy of Time: A Critical Introduction and Guide。Edinburgh:Edinburgh University Press。
6.
Deleuze, Gilles、Boundas, Constantin V.、Lester, Mark、Stivale, Charles(1990)。The Logic of Sense。New York:Columbia UP。
7.
Deleuze, Gilles、Tomlinson, Hugh、Galeta, Robert(1989)。Cinema 2: The Time-Image。Minneapolis:Minnesota UP。
8.
Deleuze, Gilles、Patton, Paul(1994)。Difference and Repetition。Columbia University Press。
9.
Deamer, David(2016)。Deleuze, Japanese Cinema, and the Atom Bomb: The Spectre of Impossibility。New York:Bloomsbury。
10.
Morton, Timothy(2016)。Dark Ecology: For a Logic of Future Coexistence。New York:Columbia UP。
11.
Miyazaki, Hayao、Cary, Beth、Schodt, Frederik L.(2009)。Starting Point: 1979-1996。San Francisco:VIZ Media。
圖書論文
1.
Lorraine, Tamsin(2003)。Living a Time Out of Joint。Between Deleuze and Derrida。London:Continuum。
2.
Holland, Eugene(2012)。Non-linear Historical Materialism; or, What is Revolutionary in Deleuze and Guattari's Philosophy of History?。Time and History in Deleuze and Serres。London:Continuum。
3.
Hairston, Marc(2010)。The Reluctant Messiah: Miyazaki Hayao's Nausicaä of the Valley of the Wind。Manga: An Anthology of Global and Cultural Perspectives。New York:Continuum。
4.
Miyazaki, Hayao(2015)。The World Is Dead。Pluto: New Horizons for a Lost Horizon。Berkeley:North Atlantic Books。
5.
Miyazaki, Hayao(1995)。On Nausicaä。Nausicaä of the Valley of the Wind: Perfect Collection。San Francisco:Viz Communications。
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