期刊論文| 1. | Brown, Lee B.(2011)。Do Higher-Order Music Ontologies Rest on a Mistake。The British Journal of Aesthetics，51(2)，169-184。   |
| 2. | Brown, Lee B.(2012)。Further Doubts about Higher-Order Ontology: Reply to Andrew Kania。The British Journal of Aesthetics，52(1)，103-106。 |
| 3. | Bruno, Franklin(2013)。A Case for Song: Against an (Exclusively) Recording-Centered Ontology of Rock。The Journal of Aesthetics and Art Criticism，71(1)，65-74。 |
| 4. | Kania, Andrew(2006)。Making Tracks: The Ontology of Rock Music。The Journal of Aesthetics and Art Criticism，64(4)，401-414。 |
| 5. | Kania, Andrew(2008)。The Methodology of Musical Ontology: Descriptivism and its Implications。The British Journal of Aesthetics，48(4)，426-444。 |
| 6. | Kania, Andrew(2011)。All Play and No Work: An Ontology of Jazz。The Journal of Aesthetics and Art Criticism，69(4)，391-403。 |
| 7. | Kania, Andrew(2012)。In Defence of Higher-Order Musical Ontology: A Reply to Lee B. Brown。British Journal of Aesthetics，52(1)，97-102。 |
| 8. | Young, James O.(2014)。The Poverty of Musical Ontology。Journal of Music and Meaning，13(1)，1-19。 |