The music circulated in the Hakka area of the north Taiwan consists of Hakka Bayin and Beiguan music. The music styles, types, applications and cultural ecology of the two genres are different. Around the year of 1925, the Hakka Bayin music performers absorbed the Beiguan music for self-improvement, and since then many Bayin music performers have begun to sing the Beiguan Music. In the postwar era, Bayin music performers' practice of Beiguan music became a trend and a stable music culture. This paper explores the phenomenon of "Beiguan Bayin" music from three aspects. Firstly, it analyzes the music styles and cultural function of Hakka Bayin and Beiguan music. Secondly, it explores the phenomenon of "Beiguan Bayin" music and its related social context and background. Finally, it analyzes scholars' diverse interpretations of the phenomenon, addressing issues of the relationship between the performers and their performing groups.