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題名：一般觀眾對於「類神經網路」之藝術風格轉移認知模式先期研究
書刊名：設計學報
作者：呂燕茹／林伯賢／林榮泰
作者(外文)：Lyu, Yanru／Lin, Po-hsien／Lin, Rungtai
出版日期：2021
卷期：26:3
頁次：頁61-84
主題關鍵詞：認知人因工程；人工智慧；類神經網路；藝術風格轉移；Cognitive ergonomics；Artificial intelligent；Neural network；Artistic style transfer
原始連結：連回原系統網址new window
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  • 共同引用共同引用:3
  • 點閱點閱:4
期刊論文
1.Gardner, H.(1970)。Children's sensitivity to painting styles。Child Development，41(3)，813-821。  new window
2.Ackoff, R. L.(1989)。From data to wisdom。Journal of Applied System Analysis，16(1)，3-9。  new window
3.Chatterjee, A.(2004)。Prospects for a cognitive neuroscience of visual aesthetics。Bulletin of Psychology and the Arts，4(2)，55-60。  new window
4.Lin, Rungtai、Kreifeldt, John G.(2001)。Ergonomics in wearable computer design。International Journal of Industrial Ergonomics，27(4)，259-269。  new window
5.Sims, K.(1991)。Artificial evolution for computer graphics。ACM SIGGRAPH Computer Graphics，25(4)，319-328。  new window
6.汪曼穎、葉怡玉、黃榮村(20130900)。臺灣認知心理學的應用：從認知研究到科技脈絡裡的人性化設計。中華心理學刊，55(3)，381-404。new window  延伸查詢new window
7.曾靖越(20180900)。無縫空間的沈浸感：虛擬實境。國教新知，65(3)，105-120。new window  延伸查詢new window
8.林榮泰(20071000)。蒙家就是我家--從蒙得里安談文化創意的簡約設計。藝術欣賞，3(5)，4-9。  延伸查詢new window
9.Bengio, Y.(2009)。Learning deep architectures for AI。Foundations and Trends in Machine Learning，2(1)，1-127。  new window
10.Augustin, M. D.、Defranceschi, B.、Fuchs, H. K.、Carbon, C.、Hutzler, F.(2011)。The neural time course of art perception: An ERP study on the processing of style versus content in art。Neuropsychologia，49(7)，2071-2081。  new window
11.Benjamin, R. H.(1993)。The decorative landscape, fauvism, and the arabesque of observation。The Art Bulletin，75(2)，295-316。  new window
12.Choi, T. J.、Ahn, C. W.(2019)。Artificial life based on boids model and evolutionary chaotic neural networks for creating artworks。Swarm and Evolutionary Computation，47，80-88。  new window
13.Djonov, E.、Van Leeuwen, T.(2011)。The semiotics of texture: From tactile to visual。Visual Communication，10(4)，541-564。  new window
14.謝其昌(20150700)。論油畫的材料發展談繪畫技法的形式與演變。美學與視覺藝術學刊，7，35-49。new window  延伸查詢new window
15.許素朱(20191200)。人工智慧與藝術的競合創作。藝術家，535，240-245。  延伸查詢new window
16.Taylor, J.、Witt, J.、Grimaldi, P.(2012)。Uncovering the connection between artist and audience: Viewing painted brushstrokes evokes corresponding action representations in the observer。Cognition，125(1)，26-36。  new window
17.Jing, Y.、Yang, Y.、Feng, Z.、Ye, J.、Yu, Y.、Song, M.(2020)。Neural style transfer: A review。IEEE Transactions on Visualization and Computer Graphics，26(11)，3365-3385。  new window
18.Liu, L.、Xi, Z.、Ji, R.、Ma, W.(2019)。Advanced deep learning techniques for image style transfer: A survey。Signal Processing: Image Communication，78，465-470。  new window
19.Mishra, A. K.(2018)。A DIKW Architecture for Cognitive Engineering。Procedia Computer Science，123，285-289。  new window
20.Mazzone, M.、Elgammal, A.(2019)。Art, creativity, and the potential of artificial intelligence。Arts，8(1)。  new window
21.Lee, S. G.、Cha, E. Y.(2016)。Style classification and visualization of art painting's genre using self-organizing maps。Human-Centric Computing and Information Sciences，6(1)。  new window
22.Schumaker, R. P.(2011)。From data to wisdom: The progression of computational learning in text mining。Communications of the IIMA，11(1)。  new window
23.Steenberg, E.(2007)。Visual aesthetic experience。The Journal of Aesthetic Education，41(2)，89-94。  new window
24.Shamir, L.、Macura, T.、Orlov, N.、Eckley, D. M.、Goldberg, I. G.(2010)。Impressionism, expressionism, surrealism: Automated recognition of painters and schools of art。ACM Transactions on Applied Perception (TAP)，7(2)，1-17。  new window
會議論文
1.Bar, Y.、Levy, N.、Wolf, L.(2015)。Classification of artistic styles using binarized features derived from a deep neural network。Lecture Notes in Computer Science。Springer。71-84。  new window
2.Condorovici, R. G.、Florea, C.、Vranceanu, R.、Vertan, C.(2013)。Perceptually-inspired artistic genre identification system in digitized painting collections。Springer。687-696。  new window
3.Efros, A. A.、Freeman, W. T.(2001)。Image quilting for texture synthesis and transfer。ACM。341-346。  new window
4.Gao, Y.、Wu, J.、Lee, S.、Lin, R.(2019)。Communication between artist and audience: A case study of creation journey。Springer。33-44。  new window
5.Gatys, L. A.、Ecker, A. S.、Bethge, M.(2016)。Image style transfer using convolutional neural networks。IEEE Computer Society。2414-2423。  new window
6.Gatys, L. A.、Ecker, A. S.、Bethge, M.、Hertzmann, A.、Shechtman, E.(2017)。Controlling perceptual factors in neural style transfer。IEEE Computer Society。3720-3738。  new window
7.Haeberli, P.(1990)。Paint by numbers: Abstract image representations。ACM。207-214。  new window
8.Zujovic, J.、Gandy, L.、Friedman, S.、Pardo, B.、Pappas, T. N.(2009)。Classifying paintings by artistic genre: An analysis of features & classifiers。IEEE Computer Society。1-5。  new window
9.Spehr, M.、Wallraven, C.、Fleming, R. W.(2009)。Image Statistics for Clustering Paintings According to their Visual Appearance。Eurographics。57-64。  new window
10.Zhang, Y.、Fang, C.、Wang, Y.、Wang, Z.、Lin, Z.、Fu, Y.、Yang, J.(2019)。Multimodal style transfer via graph cuts。IEEE Computer Society。5943-5951。  new window
11.Huang, X.、Belongie, S.(2017)。Arbitrary style transfer in real-time with adaptive instance normalization。IEEE Computer Society。1510-1519。  new window
12.He, B.、Gao, F.、Ma, D.、Shi, B.、Duan, L. Y.(2018)。ChipGAN: A Generative Adversarial Network for Chinese Ink Wash Painting Style Transfer。ACM。1172-1180。  new window
13.Joshi, B.、Stewart, K.、Shapiro, D.(2017)。Bringing impressionism to life with neural style transfer in come swim。ACM。1-5。  new window
14.Johnson, J.、Alahi, A.、Li, F.(2016)。Perceptual losses for real-time style transfer and super-resolution。Springer。694-711。  new window
15.Lin, R.(1992)。An application of the semantic differential to icon design。SAGE。336-340。  new window
學位論文
1.Chen, C.(2020)。Structure-emphasized multimodal style transfer(碩士論文)。Tokyo Institute of Technology。  new window
2.洪銘駿(2016)。智慧型視覺回授控制機器人應用於彩色藝術繪畫(碩士論文)。國立臺灣大學。  延伸查詢new window
圖書
1.Jakobson, Roman、Pomorska, Krystyna、Rudy, Stephen(1987)。Language in Literature。Harvard University Press。  new window
2.Fiske, J.(2010)。Introduction to Communication Studies。Routledge。  new window
3.劉勰、戚良德(2008)。文心雕龍校注通譯。上海：上海古籍。  延伸查詢new window
4.Silverman, Kaja(1984)。The Subject of Semiotics。Oxford University Press。  new window
5.Beckett, Wendy(1994)。The Story of Painting。London：Dorling Kindersley Ltd.。  new window
6.Beardsley, Monroe C.(1981)。Aesthetics: Problems in the philosophy of criticism。Hackett Publishing Co., Inc.。  new window
7.林榮泰、李仙美(2015)。詩情畫意--仙雲之美習作經驗分享。台灣藝術大學。  延伸查詢new window
8.Kurzweil, Ray(2005)。The Singularity Is Near: When Humans Transcend Biology。Penguin。  new window
9.Arnheim, R.(1965)。Art and visual perception: A psychology of the creative eye。Berkeley, CA：University of California Press。  new window
10.Lakoff, George、Johnson, Mark(1980)。Metaphors We Live by。University of Chicago Press。  new window
11.Chan, C. S.(2015)。Style and creativity in design。Springer。  new window
12.Getlein, M.、Gilbert, R.(2008)。Living with art。McGraw-Hill。  new window
13.葉衛平(2018)。藝術的內在發生。清華大學出版社。  延伸查詢new window
14.Zeleny, M.(2005)。Human systems management: Integrating knowledge, management and systems。World Scientific。  new window
15.Hoquet, T.(2005)。Buffon: Histoire naturelle et philosophie。Honore Champion。  new window
16.Mishory, A.(2000)。Art history: An introduction。Open University of Israel。  new window
17.McGuinness, D. E.(2016)。Painting: Materials, techniques, styles, and practice。Rosen Education Service。  new window
18.Stangos, N.(1994)。Concepts of modern art: From Fauvism to Postmodernism。Thames & Hudson。  new window
單篇論文
1.Gatys, L. A.，Ecker, A. S.，Bethge, M.(2015)。A neural algorithm of artistic style，https://arxiv.org/abs/1508.06576v2。  new window
2.Karayev, S.，Trentacoste, M.，Han, H.，Agarwala, A.，Darrell, T.，Hertzmann, A.，Winnemoeller, H.(2013)。Recognizing image style，https://arxiv.org/abs/1311.3715。  new window
3.Li, Y.，Fang, C.，Yang, J.，Wang, Z.，Lu, X.，Yang, M. H.(2017)。Universal style transfer via feature transforms，https://arxiv.org/abs/1705.08086。  new window
其他
1.ArtLinks(20170518)。馬塞爾•杜尚，挑戰藝術底線的先鋒藝術家，https://kknews.cc/culture/5a3evnl.html。  延伸查詢new window
2.劉育成(20190619)。機器學習（人工智慧）如何可能重新定義「創作」：「模糊性」作為創造性的來源之一，https://www.digiarts.org.tw/DigiArts/DataBasePage/4_140864213871031/Chi。  延伸查詢new window
3.量子位(2017)。AI通過了藝術創作圖靈測試，機器發展出了自己的美感，https://kknews.cc/news/b48zovj.html。  延伸查詢new window
4.林榮泰(20030807)。人與機器的對話：科技始終來自於人性，https://scitechvista.nat.gov.tw/Article/c000003/detail?ID=cc573a53-ae03-4eab-a7cb-cff8b1e992f1。  延伸查詢new window
5.Hertzmann, A.(2018)。Image stylization: History and future，https://research.adobe.com/news/image-stylization-history-and-future-part-3/。  new window
圖書論文
1.Conkey, M. W.(2006)。Style, Design, and Function。Handbook of Material Culture。Sage。  new window
 
 
 
 
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