| 期刊論文| 1. | Street, John、Hague, Seth、Savigny, Heather(2008)。Playing to the Crowd: The Role of Music and Musicians in Political Participation。The British Journal of Politics and International Relations，10(2)，269-285。   | | 2. | Adorno, Theodor W.(1941)。On Popular Music。Philosophy and Social Science，9，17-48。 | | 3. | Mōri, Yoshitaka(2009)。J-Pop: From the ideology of creativity to DIY music culture。Inter-Asia Cultural Studies，10(4)，474-488。 | | 4. | Ku, Agnes S.(2020)。New Forms of Youth Activism: Hong Kong's Anti-Extradition Bill Movement in the Local-National-Global Nexus。Space and Polity，24(1)，111-117。 | | 5. | Choi, Susanne Y. P.(2020)。When Protests and Daily Life Converge: The Spaces and People of Hong Kong's Anti-extradition Movement。Critique of Anthropology，40(2)，277-282。 | | 6. | 王續添(2008)。音樂與政治：音樂中的民族主義--以抗戰歌曲為中心的考察。抗日戰爭研究，2008(3)，110-138。 延伸查詢 | | 7. | 張世倫(20110300)。怎樣「反叛」，如何「抗議」？試論「搖滾樂改變世界」的政治想像。臺灣社會研究季刊，81，443-461。 延伸查詢 | | 8. | Chan, Stephen C.-K.(2020)。A Hong Kong Critique of Identity: Belonging and Becoming in The Aberrant Post-Colony。Situations，13(2)，169-197。 | | 9. | Chapman, Dale(2013)。The 'One-Man Band' and Entrepreneurial Selfhood in Neoliberal Culture。Popular Music，32(3)，451-470。 | | 10. | Chow, Yiu-Fai(2009)。Me and the Dragon: a Lyrical Engagement with the Politics of Chineseness。Inter-Asia Cultural Studies，10(4)，544-564。 | | 11. | Denisoff, R. Serge(1966)。Songs of persuasion: A Sociological Analysis of Urban Propaganda Songs。The Journal of American Folklore，79(314)，581-589。 | | 12. | Fox, Nick(2015)。Creativity, Anti-Humanism And The 'New Sociology Of Art'。Journal of Sociology，51(3)，522-536。 | | 13. | Garofalo, Reebee(2011)。Not Your Parents' Marching Bands: The History of HONK!, Pedagogy and Music Education。International Journal of Community Music，4(3)，221-236。 | | 14. | Guerra, Paula(2020)。The Song is Still a 'Weapon': The Portuguese Identity in Times of Crises。YOUNG，28(1)，14-31。 | | 15. | Henderson, Victoria L.(2008)。Is There Hope for Anger? The Politics of Spatializing And (Re) Producing an Emotion。Emotion, Space and Society，1(1)，28-37。 | | 16. | Ho, Wai Chung(2000)。The Political Meaning of Hong Kong Popular Music: A Review of Sociopolitical Relations between Hong Kong and the People's Republic of China since the 1980s。Popular Music，19(3)，341-353。 | | 17. | Jaffee, Larry(1987)。The Politics of Rock。Popular Music & Society，11(4)，19-30。 | | 18. | Lin, Jian(2019)。Be Creative for the State: Creative Workers in Chinese State-owned Cultural Enterprises。International Journal of Cultural Studies，22(1)，53-69。 | | 19. | McDonald, James R.(1988)。Censoring Rock lyrics: A Historical Analysis of the Debate。Youth & Society，19(3)，294-313。 | | 20. | Rühlig, Tim(2016)。'Do You Hear the People Sing' "Lift Your Umbrella"?: Understanding Hong Kong's Pro-Democratic Umbrella Movement through YouTube Music Videos。China Perspectives，4，59-68。 | | 21. | Schmidt, Leonie、Chow, Yiu-Fai、De Kloet, Jeroen(2017)。From Handover to Leftover: Tatming and the Postcolonial Ruins of Hong Kong。Situations，10(1)，119-145。 | | 22. | Sprengel, Darci(2020)。'Loud' and 'Quiet' Politics: Questioning the Role of 'The Artist' in Street Art Projects after the 2011 Egyptian Revolution。International Journal of Cultural Studies，23(2)，208-226。 | | 23. | Street, John(2012)。Do Celebrity Politics and Celebrity Politicians Matter?。The British Journal of Politics and International Relations，14(3)，346-356。 | | 24. | Weinstein, Elizabeth M.(2006)。Married to Rock and Roll: Jane Scott, Grandmother of Rock Journalism。Journalism History，32(3)，147-155。 | 圖書| 1. | Eyerman, Ron、Jamison, Andrew(1998)。Music and Social Movements: Mobilizing Traditions in the Twentieth Century。Cambridge：Cambridge University Press。 | | 2. | Gillham, Bill(2000)。Case Study Research Methods。Continuum。 | | 3. | Ritchie, Jane、Lewis, Jane(2003)。Qualitative Research Practice: A Guide for Social Science Students and Researchers。Sage Publications。 | | 4. | Rowe, David(1995)。Popular Cultures : Rock Music , Sport and the Politics of Pleasure。Sage Publications。 | | 5. | Hebdige, Dick(1979)。Subculture: The meaning of style。Routledge。 | | 6. | Williams, Raymond(1976)。Keywords: A Vocabulary of Culture and Society。Oxford University Press。 | | 7. | Sennett, Richard(2012)。Together: The rituals, pleasures, and politics of cooperation。New Haven：Yale University Press。 | | 8. | Frith, Simon(1981)。Sound effects: Youth, leisure, and the politics of rock'n'roll。New York：Pantheon Books。 | | 9. | Grossberg, Lawrence(1997)。Dancing in Spite of Myself: Essays on Popular Culture。Duke University Press。 | | 10. | Parry, Geraint、Moyser, George、Day, Neil(1992)。Political Participation and Democracy in Britain。Cambridge University Press。 | | 11. | Frith, Simon(1998)。Performing Rites: on the Value of Popular Music。Cambridge：Havard University Press。 | | 12. | Garratt, James(2019)。Music and Politics: A Critical Introduction。Cambridge University Press。 | | 13. | Chu, Yiu-Wai(2017)。Hong Kong Cantopop: A Concise History。Hong Kong University Press。 | | 14. | 彭麗君(2018)。民現︰在後佔領時代思考城市民主。手民出版社。 延伸查詢 | | 15. | 劉靖之(2014)。香港音樂史論：文化政策．音樂教育。商務。 延伸查詢 | | 16. | Bennett, Andy(2011)。Cultures of Popular Music。McGraw-Hill Education。 | | 17. | Baker, Sarah(2015)。Preserving Popular Music Heritage: Do-It-Yourself, Do-It-Together。Routledge。 | | 18. | Frith, Simon(1988)。Music for Pleasure: Essays in The Sociology of Pop。Routledge。 | | 19. | Fung, Anthony、Chik, Alice(2020)。Made in Hong Kong: Studies in Popular Music。Routledge。 | | 20. | Peddie, Ian(2017)。The Resisting Muse: Popular Music and Social Protest。Routledge。 | | 21. | Rosenthal, Rob、Flacks, Richard(2012)。Playing for Change Music and Musicians in the Service of Social Movements。Routledge。 | | 22. | Torell, Kurt(2022)。Rock and Roll, Social Protest, and Authenticity: Historical, Philosophical, and Cultural Explorations。Rowman & Littlefield。 | 其他| 1. | 何桂藍(20191018)。立場人語：【專訪】屬於每一人的共同體 梁繼平：真正連結香港人的，是痛苦。 延伸查詢 | | 2. | Hong Kong Democracy Council(2022)。Hong Kong Reaches a Grim Milestone: 1,000 Political Prisoners，https://hkdc.us/political-prisoners-research-report/。 | 圖書論文| 1. | Balliger, Robin(1995)。Sounds of Resistance。Sounding off: Music as Subversion/Resistance/Revolution。Autonomedia。 | | 2. | Jenzen, Olu、Erhart, Itir、Eslen-Ziya, Hande、Güçdemir, Derya、Korkut, Umut、McGarry, Aidan(2019)。10 Music Videos as Protest Communication: The Gezi Park Protest on YouTube。The Aesthetics of Global Protest。Amsterdam University Press。 | | 3. | Lau, Stella(2021)。The Transformation of Indie Music in Hong Kong。Fractured Scenes: Underground Music-Making in Hong Kong and East Asia。Palgrave Macmillan。 | | 4. | Sánchez García, José(2018)。Cairo Nights: The Political Economy of Mahragan Music。Exploring Nightlife Space, Society and Governance。Rowman & Littlefield。 | | 5. | Wetherell, Margaret、Potter, Johnathan(1988)。Discourse Analysis and The Identification of Interpretative Repertoires。Analysing Everyday Explanation: A Casebook of Methods。Sage Publications。 | | 6. | Wong, Ahkok Chun-Kwok(2021)。From Indie to Underground: The Hong Kong DIY Rock Scene in the Post-Hidden Agenda Era。Fractured Scenes: Underground Music-Making in Hong Kong and East Asia。Palgrave Macmillan。 | |