| 期刊論文| 1. | 洪儀真(20121200)。法國藝術社會學的發展脈絡與研究特色。臺灣社會學刊，51，159-190。 延伸查詢 | | 2. | Dickie, Georges(1969)。Defining art。American Philosophical Quarterly，6(3)，253-256。  | | 3. | Benchop, Ruth(2009)。STS on Art and the Art of STS: An Introduction。Krisis: Journal for Contemporary Philosophy，1，1-4。 | | 4. | Calvert, Jane、Schyfter, Pablo(2017)。What Can Science and Technology Studies Learn from Art and Design? Reflections on 'Synthetic Aesthetics'。Social Studies of Science，47(2)，195-215。 | | 5. | Cant, Sarah、Morris, Nina(2006)。Geographies of Art and the Environment。Social & Cultural Geography，7(6)，857-861。 | | 6. | Carr, Chantel、Gibson, Chris(2016)。Geographies of Making: Rethinking Materials and Skills for Volatile Futures。Progress in Human Geography，40(3)，297-315。 | | 7. | Halsall, Francis(2012)。An Aesthetics of Proof: A Conversation between Bruno Latour and Francis Halsall on Art and Inquiry。Environment and Planning D: Society and Space，30(6)，963-970。 | | 8. | Halsall, Francis(2016)。Actor-Network Aesthetics: The Conceptual Rhymes of Bruno Latour and Contemporary Art。New Literary History，47(2/3)，439-461。 | | 9. | Hennion, Antoine(1997)。Baroque and Rock: Music, Mediators and Musical Taste。Poetics，24(6)，415-435。 | | 10. | Hennion, Antoine、Muecke, Stephen(2016)。From ANT to Pragmatism: A Journey with Bruno Latour at the CSI。New Literary History，47(2/3)，289-308。 | | 11. | Hennion, Antoine、Latour, Bruno(1993)。Objet d'Art, Objet de Science. Note sur les Limites de l'Anti-Fétichisme。Sociologie de l'Art，6，7-24。 | | 12. | Lynch, Michael(1998)。The Production of Scientific Images: Vision and Re-vision in the History, Philosophy, and Sociology of Science。Communication and Cognition，31(2/3)，213-228。 | | 13. | Nadaï, Alain、Labussière, Olivier(2013)。Playing with the Line, Channelling Multiplicity: Wind Power Planning in the Narbonnaise (Aude, France)。Environment and Planning D: Society and Space，31(1)，116-139。 | | 14. | Pang, Alex Soojung-Kim(1997)。'Stars Should Henceforth Register Themselves': Astrophotography at the Early Lick Observatory。British Journal for the History of Science，30(2)，177-202。 | | 15. | Vertesi, Janet(2008)。Mind the Gap: The London Underground Map and Users' Representations of Urban Space。Social Studies of Science，38(1)，7-33。 | | 16. | Yaneva, Albena(2003)。Chalk Steps on the Museum Floor: The 'Pulses' of Objects in an Art Installation。Journal of Material Culture，8(2)，169-188。 | | 17. | Yaneva, Albena(2005)。Scaling Up and Down: Extraction Trials in Architectural Design。Social Studies of Science，35(6)，867-894。 | | 18. | Yaneva, Albena(2008)。How Buildings 'Surprise': The Renovation of the Alte Aula in Vienna。Science & Technology Studies，21(1)，8-28。 | 圖書| 1. | Kwon, Miwon(2002)。One Place after Another: Site-Specific Art and Locational Identity。MIT Press。 | | 2. | Groys, Boris、郭昭蘭、劉文坤(2015)。藝術力。藝術家出版社。 延伸查詢 | | 3. | Becker, Howard(1982)。Art Worlds。Berkeley：University of California Press。 | | 4. | Latour, Bruno、Woolgar, Steve(1979)。Laboratory Life: The Social Construction of Scientific Facts。Sage Publications。 | | 5. | Alexander, Victoria D.(2003)。Sociology of the Arts: Exploring Fine and Popular Forms。Blackwell。 | | 6. | Latour, Bruno(1987)。Science in Action: How to Follow Scientists and Engineers Through Society。Milton Keynes：Open University Press。 | | 7. | Latour, Bruno、余曉嵐、林文源、許全義(2012)。我們從未現代過。臺北：群學出版社。 延伸查詢 | | 8. | Latour, Bruno、伍啟鴻、陳榮泰(2016)。巴斯德的實驗室：細菌的戰爭與和平。台北：群學。 延伸查詢 | | 9. | Gell, Alfred(1998)。Art and Agency: An Anthropological Theory。Oxford University Press。 | | 10. | Harman, Graham(2018)。Object-Oriented Ontology: A New Theory of Everything。Pelican Books。 | | 11. | Hennion, Antoine(2017)。The Passion for Music: A Sociology of Mediation。Routledge。 | | 12. | Latour, Bruno(2008)。What is the Style of Matters of Concern? Two Lectures in Empirical Philosophy。Koninklijke Van Gorcum。 | | 13. | Van Saaze, Vivian(2013)。Installation Art and the Museum: Presentation and Conservation of Changing Artworks。Amsterdam University Press。 | | 14. | Latour, Bruno(2005)。Reassembling the Social: an Introduction to Actor-Network Theory。The MIT Press：Oxford University Press。 | | 15. | Baxandall, Michael(1972)。Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style。Oxford University Press。 | | 16. | Danto, Arthur C.、林雅琪、鄭惠雯(2010)。在藝術終結之後：當代藝術與歷史藩籬。麥田。 延伸查詢 | 單篇論文| 1. | Heintz, Bettina，Huber, Jörg，李立鈞(2020)。誘人的目光：科學視覺化策略的形式與效果，https://www.digiarts.org.tw/DigiArts/DataBasePage/4_178860851401000/Chi。 延伸查詢 | 其他| 1. | 臺北市文化局(2006)。95年4月施政報告，https://culture.gov.taipei/News_Content.aspx?n=CC648D830646C568&sms=5342521D55116535&s=ED597D9E0F1585CD。 | | 2. | Tate(2021)。Art Terms: Installation Art，https://www.tate.org.uk/art/art-terms/i/installation-art。 | 圖書論文| 1. | Callon, Michel(1999)。Some Elements of a Sociology of Translation: Domestication of the Scallops and the Fishermen of St. Brieuc Bay。The Science Studies Reader。Routledge。 | | 2. | Latour, Bruno、Yaneva, Albena(2008)。"Give me a gun and I will make all buildings move": An ANT's view of architecture。Explorations in architecture: Teaching, design, research。Basel：Birkhäuser。 | | 3. | 辛友仁(2019)。對展覽及其方法的思考：「邁向一個神秘的現實」的展覽論述空間／時間。在當代之後：2017-2018春之當代藝論。典藏藝術家庭。 延伸查詢 | | 4. | Beaulieu, Anne(2014)。If Visual STS is the Answer, What is the Question?。Visualization in the Age of Computerization。Routledge。 | | 5. | Latour, Bruno(1998)。How to be Iconophilic in Art, Science and Religion?。Picturing Science, Producing Art。Routledge。 | | 6. | Latour, Bruno(1999)。Circulating Reference: Sampling the Soil in the Amazon Forest。Pandora's Hope: Essays on the Reality of Science Studies。Harvard University Press。 | | 7. | Suderburg, Erika(2000)。Introduction: On Installation and Site Specificity。Space, Site, Intervention: Situating Installation Art。The University of Minnesota Press。 | | 8. | Yaneva, Albena、Mommersteeg, Brett(2019)。How Does an ANT Approach Help Us Rethink the Notion of Site?。The Routledge Companion to Actor-Network Theory。Routledge。 | | 9. | Latour, Bruno(1990)。Drawing Things Together。Representation in Scientific Practice。Cambridge, MA：MIT Press。 | |